A Quote by Venus Williams

A lot of times when you play... you get this adrenalin that blocks pain. — © Venus Williams
A lot of times when you play... you get this adrenalin that blocks pain.
I think music can really affect people's emotions and, when I am about to get into a race car, I definitely listen to music with a good beat - that's when you've got the adrenalin pumping. And the time before you go into a race weekend, you have a lot of emotion and adrenalin, and a lot of focus.
In a World Cup final the adrenalin is going. Emotion sometimes get the better of me but that is adrenalin and wanting us to do well.
Imagine blocks and blocks of no cocaine, blocks with no gun play.
There's a lot of times I'll just play too passive and since I'm not going to play defense as well as most guys can, I can't get away with passive play.
When you are younger, you are running on that pure naive adrenalin, you don't have any real responsibility aside from making sure you get there and play. And there's usually someone there to help you do that!
My career has been defined, in a good way, on the option route. And a lot of times, it's a bang-bang play. It's a great play because it can convert first downs. But at the same time, you don't get a lot of those opportunities in the open field.
The religion I have is music. Even the times I have headaches, when I'm singing, I can't feel them. My dad used to say that, too, especially near the end of his life. He would be in pain - a lot of pain - and he said the only time when he didn't feel pain was when he performed and sang.
Players want to play a lot of rugby. We're walking contradictions at times in that we want to play a lot of rugby, but we don't want to play too much rugby, and we want to be available for all the big games, yet there are times when you have to sacrifice that because of game limits.
As a player that has played this game, I know, at the end of the day I've had numerous amount of surgeries, and the doctors released me at numerous amount of times to go and play. But a lot of those times didn't mean go and play against the best in the world right now, but to get yourself ready to compete again.
When you're warmed up and you're running on a bit of adrenalin, you don't ever feel it's as bad until you wake up the next day and everything's cooled down and you're not feeling the adrenalin anymore.
A lot of people think track, you just run, that's all you do. No. There's a lot of technical aspects to it as well. A sprinter is not just going to get out of the blocks and start running. You do that, you're going to get embarrassed every time.
A lot of times I play the villain or the comic relief, and I get to kind of play the comic relief to a degree, which is fun, but I also get to say, "You are created in the image in God. You are a perfect child of God. And this part of you is the heart of who you are. You're not alone, and you're okay just the way you are."
I know what it is like to fear violence. I understand the adrenalin rush that comes before violent confrontations. I write my scripts from an emotional point of view and direct so the audience can experience this adrenalin rush.
I watched some games I played, and there were some where I took a play or two off and missed a couple of blocks. If I have to take a play off, I should get out.
I've dealt with a lot of injuries over the years, and you just learn about pain management and how to keep yourself in the best shape to play on Sunday, and then playing with pain.
The linebacker has to make multiple, multiple decisions on every play. Not only what his assignment is and what the play is, but all the way along the line, different angles, how to take on blocks, how to tackle, the leverage to play with, the angle to run to and so forth, the technique. So many different things happen in a split second during the course of the play, just like it is for a quarterback. The more of those things that you can do right, slow down, get the most important things, not get distracted by all the stuff that's happening, but just really zero in on a target.
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