A Quote by Venus Williams

When I play my match, I can't think about anything else except what I'm doing on my side of the net. — © Venus Williams
When I play my match, I can't think about anything else except what I'm doing on my side of the net.
I just think about what I am doing on my side of the net, which requires focus. Even after all the years I've been playing, I still get butterflies before each match.
I have only been acting since I was about eighteen. I couldn't imagine doing anything else. I don't think there is anything else I could do.
I have a specific routine before every match. I like to grip my rackets, because I feel that someone else won't do it how I like them. But the biggest thing is that I don't like to stress about my match all morning. Twenty minutes before, I'll sit down and think about the game plan and warm up. And then I just play.
Of course, there [in China] has to be chaos. It has to be crazy, and I don't think there's anything wrong about it except this government, which is really incapable of doing anything meaningful.
Honestly, when you start talking about genres, you're talking as much about the business side of writing as anything else. Certainly there are elements of reader expectation that play into various genres, and those are important, but it also becomes about packaging, placement, audience....In the end, I'm not a fan of labels. I think the best fiction blurs the boundaries between genres, stretches and breaks them.
Each of us assumes everyone else knows what HE is doing. They all assume we know what WE are doing. We don't...Nothing is going on and nobody knows what it is. Nobody is concealing anything except the fact that he does not understand anything anymore and wishes he could go home.
I was given a horn at an early age. I never really got a chance to think about doing anything else until I was about 18, when I realized I could do something else if I wanted to. In my teens, I was rolling in it.
The thing that sticks to me most about theater is that because it's such an ape crazy nonstop experience, you really don't have time to think about anything else. You're just really present; you have to be, or else, you know, you can't stop the play.
Don't believe anything you read on the net. Except this. Well, including this, I suppose.
When I'm on stage by myself, I don't have to think about anything. I don't have to worry about anything because I'm not responsible for anything except just opening my mouth and making sure music comes out.
People always brand me as this person who is anti-Brady, and I don't think that I ever have been, except that occasionally I would like to talk about something else that I'm doing.
It's kind of not about the quality of the art, as much as this is what I love doing and I'd have a worse time doing anything else. That's kind of as far as I think in terms of philosophy.
The first thing you have to get when you play somebody iconic is you have to get lucky. More than anything else, you have to make a leap of faith and know that somewhere, the net will appear, and you'll find your way.
I just have to play my best game. Not think about anything else - that is the only concern I have and that we should all have.
One of the dangers about net-net investing is that if you buy a net-net that begins to lose money your net-net goes down and your capacity to be able to make a profit becomes less secure. So the trick is not necessarily to predict what the earnings are going to be but to have a clear conviction that the company isn't going bust and that your margin of safety will remain intact over time.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
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