A Quote by Vera Farmiga

I always thought Uncle Vanya could be a stoned masterpiece. — © Vera Farmiga
I always thought Uncle Vanya could be a stoned masterpiece.
There's a play that Chekhov wrote called 'Uncle Vanya,' and I when I was in school, I played Sonya, and sometimes people ask me if there was ever a role I could play again, that's definitely the role I would play again: Sonya in 'Uncle Vanya.'
Some of my favourite characters have been people like Masha in 'Three Sisters' and Elena in 'Uncle Vanya.'
I've always been a fan of George C. Scott, who was working in movies when I was in college... films like 'Patton' and 'Hospital.' I was really impressed by him, and I had seen him onstage as well in 'Uncle Vanya.' He was a champ to me.
Fine-tuning a play like 'Uncle Vanya,' which is already well-known to the people playing it, is not so much a verbal exercise as it is a visceral one.
I'd love to do a comedy. I always told myself that I don't have funny bones, and then I was working with Dervla Kirwan in 'Uncle Vanya,' and she was like, 'Lara, you're really, really funny.' And I realised I am, and that's not even me blowing my own trumpet.
Weed, you know, you just get mellow. You can drive pretty stoned and be OK. I mean, sometimes you get too stoned and you can't drive. But you could get pretty stoned and still drive.
When I heard about the Windrush issue, I thought, 'That could be my mum... it could be my dad... it could be my uncle... it could be me.'
I saw Stephen Sondheim's Sweeney Todd, which I thought was a masterpiece. Not that long ago, I listened to Blackstar by David Bowie and thought that was a masterpiece. Those are two incredibly talented people who've left their mark with us.
Success was always critical to me. What it meant was winning enough praise and external admiration that I could feel myself to be a logical extension of my Uncle Alex, Uncle Zoli, and my father, in that order.
I think it goes without saying that young would-be playwrights in developmental workshops should be so lucky as to write plays as good as 'Waiting for Godot,' 'Uncle Vanya' or 'King Lear,' none of which would have existed without a decent plot.
I liked speed. I was on black beauties all the time. Nothing bad happened to me. I didn't become a drug addict because I always had to make a movie. We weren't stoned when we made them; I was stoned when I made movies up. I did them all.
I find it very strange when people say that they are trying to solve 'Uncle Vanya' or find a solution for 'Henry V.' Plays aren't puzzles. They are about playing. But so much theatre has become about performing and acting rather than playing, which is a great pity because audiences are captivated by watching people play.
My uncle always said that I could have been a rancher.
Growing up, my uncle had a snake and I always thought they were really interesting.
I think getting stoned has made me buy a lot of bad albums, because when I'm stoned I think everything is amazing.
That was one thing you found out when you were stoned, or wasted, or feverish: that the world was always turning and that only a healthy mind could block out the sickening whirl of it.
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