A Quote by Vera Farmiga
There are some times when I think acting can be a noble profession. And when those rare roles come along, like 'Down to the Bone,' you have the opportunity to be of service.
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There are some times when I think acting can be a noble profession. And when those rare roles come along, like Down to the Bone, you have the opportunity to be of service.
I have seen many teachers in real life, which come from the same background and morality and treat their profession like just another one rather than a noble profession.
There's plenty of girlfriend roles out there. They've come my way, and many people have turned them down, and I think, "Oh maybe I could do something with this." It's interesting when you get those roles, which seem like nothing on the page, and you kind of subvert them. It's hard to say no.
I think when you get older, things come along that you know are a test in some way of your ability to stay with it. And when e-mail came along, I was just going to fall in love with it. And I did. I can't believe it now - it's like one of those ex-husbands that you think, 'What was I thinking?'
I love film acting - I'm not snobby about it. I don't think that theater acting's a more noble profession. I think they're both very important. I love both. And in my dream world, I'd get to do both forever.
I've said this a lot lately, too: if, 20 or 30 years down the road, when everything's said and done, I was never able to achieve that level of zeitgeist again, then so be it. I know how rare it is for anybody to do that. But I also feel like, OK, we're getting on to 25 years of putting out records: that's also kind of rare air for anybody who makes music. And I think you just end up kind of grateful for every opportunity that comes along.
I dig those kinds of roles where I have to dig down and find some internal motivation. I like tough roles.
At times, I have had the opportunity to play character roles in movies like 'Kathavasheshan.' Still, I act in all the roles I am offered if it has something special.
As an actor, when you go for auditions, there are certain roles that come along and you think, 'I really want that one,' and Prince Arthur was definitely one of those.
It's true that the skills required to be a conman are the same as those required for being an actor. Though those skills are in the service of something a bit more noble with acting, I hope.
It was only after university that I said to myself that I had to take the risk and have a serious go at acting. It's such a bizarre profession, because you have to be totally tough to deal with all those times when you're being turned down, and then really soft in order to access your character's emotions.
Acting is my profession; I enact all roles with sincerity.
I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside. I always try to tone down the acting, because my stories demand it, to the point where I might change a script so that an actor has no opportunity to come out well.
I think all those years that I spent as a nurse, from the age of seventeen, just allowed me an insight into human emotion at those times of life when it's so important. And to see and witness those times of grief and love and loss and all those things was such a huge privilege, both in my own personal life, but it also, I think, spills over into my writing. I think the one thing that most novelists have is some degree of emotional intelligence, and if you don't have that, then perhaps you might struggle to be a novelist, because that has to come out somewhere.
It wasn't like this happy-go-lucky experience, shooting Norman movie. It was something I kind of had to, sort of dedicate a certain level of focus and energy to kind of just stay in this headspace that would allow me to access - because it's also a very emotional movie at times. This was the first time I ever played a real character, a fully fleshed out, dimensionalized, multi-faceted character, as opposed to a part. There's not very much opportunity for somebody of my age and my look, so for a character-driven piece like this to come along is a rare thing.
No profession or occupation is more pleasing than the military; a profession or exercise both noble in execution (for the strongest, most generous and proudest of all virtues is true valor) and noble in its cause. No utility either more just or universal than the protection of the repose or defense of the greatness of one's country. The company and daily conversation of so many noble, young and active men cannot but be well-pleasing to you.
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