A Quote by Vera Farmiga

The more people know about you, the more face-time you get in the media, the harder your job becomes to create a character in whom people suspend disbelief. — © Vera Farmiga
The more people know about you, the more face-time you get in the media, the harder your job becomes to create a character in whom people suspend disbelief.
The biggest thing is to create a product that consumers find useful. As more and more people like something, it becomes harder and harder to have a conspiracy theory about it.
lf there is anything that puzzles me in this game lt is that the longer that you are in the job of Prime Minister, the harder you have to work to do your job. With anything else, such as stenography, administering a store, or whatever done it for nine or ten years you get to know the ropes pretty well and it becomes easy and you can spend a lot of time playing golf or something. l feel that the more you know, the more you have to know and the more problems come.
When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
What separates people that create from the people that don't is just one's ability to take action despite the fear, you know? Or to suspend the fear, or more commonly, the voice of judgment within yourself that says, "This isn't good enough. You don't deserve to do this. You're not worthy. Your expression isn't meaningful. You have nothing to contribute, just get back to your 9-to-5 job." It's not so much that I don't have all those same voices, it's more just that for some reason as a kid I was shameless enough that could plow through them for long enough to get something on the table.
You can't really do a big character in an action film; you're already suspending your disbelief in the action, then to suspend your disbelief in the character is too much.
TV becomes easier because you get to spend time with that character. It's going to go on for a while, and the more you know something, the easier it becomes, the less nerves you have about it, and the better it is for improv because you have that camaraderie between cast regulars. In film, it's harder because you got to get in and get out.
My favorite actors are actors who are enigmatic and mysterious and never make the obvious choice in terms of the projects they do or who they work with or their craft. But I think that the less I know about an actor, the more chance I have of allowing their own persona to kind of slip away so I can get completely lost in the character they're playing, and the more that people think they know about your personal life, the more difficult it becomes to preserve that.
If you're playing your character and you're running into all these people who know who you are and treat you in a way that doesn't pertain at all to the character, it takes you out of it more, so when you're alone in a city where people don't know you, you can kind of pretend even more and get into the head space of where you need to be.
The story of my life has been of public interest, which is why I've been so passionate about having a private identity. When I step into a character, people have to be able to suspend their disbelief; they have to be able to divorce me from Hermiona. And not having everyone know every single intimate detail of my entire life is part of me trying to protect my ability to do my job well.
When you have a movie about people landing from planet Neptune, you suspend disbelief. I totally get it. But I like doing things that happen in real life.
One of the reasons wrestling works is because it allows people to suspend their disbelief. They may know it's not real, but if it's done well enough, they get sucked into it emotionally. And that's why they watch.
I think commercial success is really important. It means there are more people listening, and you're affecting the zeitgeist more. If only a hundred people know you exist, it's harder to get your message across.
The mainstream media today has the biggest disconnect with its audience that it's ever, ever had. And as the disconnect grows and as more and more people distrust them, then the media digs in more and more and says you don't know what you're talking about, you don't know how we do our jobs, you don't know what's important.
With social media, I think it becomes a little more intrusive. People have more access to you. It's obviously very flattering, all the love and affection that you get, and then there's also the downside of it: sometimes things don't go your way.
The more you know about something, the harder it becomes. You become more and more of a perfectionist. I think it's a curse... It's a form of illness!
People's jobs are the biggest asset that they have. The net present value of your job is worth more than your house or your stock portfolio. As people decide whether they're going to buy a car, they're more concerned about whether they have a job and are likely to have a job next year.
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