A Quote by Vera Lynn
When I started out, I was what they called corny. After a week in Nashville they were calling me hillbilly.
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My parents were on the Grand Ole Opry. They traveled all over the country singing hillbilly music. That's what they called it back then. They were friends with Roy Acuff and the Delmore Brothers and the Carter Family. And all of my brothers and sisters who were older than me started on the show, after they were big enough to hold a guitar and sing.
As far as in my adult life, it kinda started (with) writing first 'cause I went to school in Nashville. I mean, not Nashville but close to Nashville, and I met my managers in L.A. at a convention randomly. And then, it kinda just started from there. And then, I got my publishing deal.
It's the hillbilly rock, beat it with a drum. Playin' them guitars like shootin from a gun. Keepin' up the rhythm, steady as a clock. Doin' a little thing called the hillbilly rock.
I tell my audiences today that I served 10 years in Nashville! That's a joke, of course; I was grateful for the work. Bob Ferguson, who produced Connie Smith, Porter Wagoner and Dolly Parton, started calling me in.
I was always drawn to the roots music, bluegrass, blues, early rock - Sun Records, Elvis [Presley]. And I still love that music to this day. Memphis never gets the credit. It's much more musically rich than Nashville ever will be. Nashville manufactured that hokey-hillbilly image way back.
Hillbilly Rock' was the song that opened the door and gave me a reason to get a bus and a band and cowboy clothes to go out there and figure it out in front of everybody. And the hits started coming.
In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.
Because I was the first super-elite, the press caught on and started calling me a supermodel. So in that sense, I guess I'm the first. But, in my opinion, there were girls that could have been called supermodels before that, if the term was in existence.
I'd seen her name on a call sheet for so many years and been called Jo so many times. If people said Jo in the street, I used to turn round because I was so used to being called Jo for five years on Spooks. You do get so used to being called something. Often, it was someone calling their young son... but sometimes it was people calling after me because they recognised me from the show. So, it was a big deal when it happened and it was quite an emotional end.
I've got to sing for Pops; I've got to keep my father's legacy alive because he started all of this. So I started calling people, and nobody would give me a chance, but I didn't let that stop me. I took money out the bank and I started making me a record, and I did it in this guy's basement.
I was on Facebook. I was on MySpace. And somebody said to me, You should check out this thing called Twitter. I knew five people that were on it, so I started following those people and seeing what they were doing, and then I applied my own sensibility to it. The more that I shared, the more people started following me.
Someone stole my wallet last week. The guy called me up and he was mad at me. He was like 'you gotta get your finances together. You got no cash, your credit cards are maxed out. You don't even have minutes on your calling card. I had to use my card to call you.'
The first day of the shoot, I had been in my trailer and came out dressed as Peter Parker in his slightly daggy corduroy jacket with his camera around his neck. Almost instantly, 500 or more people just stopped and started to watch us. They were calling out my name, calling out, 'Peter' or 'Spidey'.
Freshman year of college, one of my coaches was out with family friends or whatever. Somebody said my name and kind of stuttered it or mumbled it. He was like, 'What'd you say? Mr. Biscuit?' instead of Mitchell Trubisky. It kind of stuck that week of practice, and that's what all the boys started calling me.
It was an old cricket coach who started calling me Fred - as in Flintstone. There are far worse things to be called in the dressing room.
My publishing deal is out of Nashville, my management is split between Nashville and Texas, but we are also getting to play eight other states as well as Canada and Europe this year. I don't want to pigeon-hole myself. When people ask me if I'm Texas or Nashville, I tell them I am just Cody Johnson.
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