A Quote by Vera Lynn

So many older people are on a very small budget and just wouldn't be able to afford a TV licence. — © Vera Lynn
So many older people are on a very small budget and just wouldn't be able to afford a TV licence.
Obviously, the BBC is funded by licence-payers. If you are paying for a TV licence, when you see what people are paid, then you know you're funding that.
The TV licence people just can't believe we don't have a television. I'm a bolshie git. I shout at them things like, 'I don't need TV, I'm an intellectual.'
All of the stuff I can't afford to do on a TV budget, I just put into the comic book because you're really only limited in a comic by your artist's imagination.
I never wanted to get into high end in Colombia - the percentage of people who can afford it is very small, and they can shop abroad anyway. It's just not what I had in mind. I wanted to bring international fashion to as many people here as possible, who don't usually get exposed to such styles.
I want the BBC to be a mass market public service broadcaster still funded by the licence fee... and the licence fee is more durable than many people in the commercial sector believe.
Usually, I make such small-budget films that I can't afford to buy weather.
The bigger the budget, the more you can afford to compromise with Mother Nature. The smaller the budget, the more you're like, "Okay, well, we have to do this, but how can we afford to do it." That's when you have to get really creative on the business side, as far as making compromises.
And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.
Even the older generation are able to understand things when they see it on TV and identify with it. A lot of people are able to empathise with the characters. They can also distinguish between good and bad.
Hollywood can be an exclusive place. Who gets to be on TV, or who gets to make TV can be a small clique of an industry. There's so many talented, skilled people, all over the world, that might not have the connections or the opportunities to work in TV.
I would love to be able to tour and get to be able to read people who might not be able to afford to go to L.A. and really just spread my ability and share it as much as I possibly can.
It's really important, obviously, for people to realize that it is a very small percentage, only 1 percent of our total economy, of our total budget, and I think that's important for people to know. But I also know that Americans are very generous and that many, many Americans are proud that their taxpayer dollar has saved lives in Africa through the president's malaria initiative or through PEPFAR, the emergency relief plan for AIDS.
I've just been so lucky. I don't know if you're really able to take advantage of your full potential until you're older. There are a few people who are incredibly gifted and make it when they are very young, but I didn't. With women it takes longer. You just keep working and when you finally get it, it feels very, very nice.
When you're battling against the minds of the studios and the money that can go into promoting larger budget films, it's very hard for a very small-budget Australian film to get a look in. You can get critically acclaimed and go to various film festivals around the world, but that doesn't necessarily mean the majority of people are going to hear about it.
The biggest budget is the military budget. For what? We're fighting two wars in very small countries that have no nuclear weapons, that have no capabilities to destroy anything. They probably couldn't even get to America.
The cost of campaigning has skyrocketed in recent years because of the falloff in TV viewership. With only one-third as many people watching TV as did 20 years ago, politicians have responded by buying three times as many ads, driving the cost of campaigning to levels which only favored candidates can afford.
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