A Quote by Vera Nazarian

Short stories are like individual jewel stones on a necklace, wonderful in themselves like standalone gleaming entities of semantic intensity. — © Vera Nazarian
Short stories are like individual jewel stones on a necklace, wonderful in themselves like standalone gleaming entities of semantic intensity.
I like fiction that deals with matters that are of burning importance to us in our private lives. And not all short stories are like that. In general, short stories - and maybe this is a little bit off-topic - but I think short stories have this bad association with, like, waiting rooms.
I love fiction. I like reading short stories. Cupcakes, pop songs, Polaroids, and short stories. They all raise and answer questions in a short space. I like Lorrie Moore. Amy Hempel. Tim O'Brien. Raymond Carver. All the heartbreakers.
A novel is like a long relationship and a short story is a brief one that lingers - it lingers powerfully and maybe more powerfully. I think that's true in a lot of cases, most long-term relationships compared to some of the briefer ones - the intensity of those brief ones that end, I think a short story is kind of like that. There's a certain level of intensity that I think is different.
My short stories are like soft shadows I have set out in the world, faint footprints I have left. I remember exactly where I set down each and every one of them, and how I felt when I did. Short stories are like guideposts to my heart.
Our good works are like stones cast into the pool of time; though the stones themselves may disappear, their ripples extend to eternity.
I've always loved short stories. Even before I was a writer, I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me.
Our world hangs like a magnificent jewel in the vastness of space. Every one of us is a part of that jewel. A facet of that jewel. And in the perspective of infinity, our differences are infinitesimal.
We think we've got great stories and characters that will lend themselves to great standalone experiences, and that's the way we're focusing on it.
I love short stories - reading and writing them. The best short stories distill all the potency of a novel into a small but heady draught. They are perfect reading material for the bus or train or for a lunchtime break. Everything extraneous has been strained off by the author. The best short stories pack the heft of any novel, yet resonate like poetry.
I'll always be making music. I'd like to do it my whole life - although I also love words and want to write short stories. But right now, my songs are kind of my short stories.
Stories are like that. Like cities, they are built on the stones and bones of the past.
My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.
Norfolk would not be Norfolk without a church tower on the horizon or round a corner up a lane. We cannot spare a single Norfolk church. When a church has been pulled down the country seems empty or is like a necklace with a jewel missing.
I like intensity. If it's too mellow, I feel like, bleah. I like intensity, because it's way of reaching spaces inside of you, and it's my need of knowledge, of knowing about myself regardless.
I used to publish these stories in 32-page comics, and I would either do short stories or break the long ones up into chunks so there would be some variety inside the comic. But since then, people have been doing more and more long, standalone works, and the term 'graphic novel' has sort of become the codified term now.
I've always loved short stories. Even before I was a writer I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me. Alice Munro, I felt that way about from an early time. Grace Paley.
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