A Quote by Vera Wang

In terms of bridal dress, I've tried everything. I've tried short, long, deconstructed, constructed, bustiers, working in fabrics, working in color. I've been working in color in bridal for probably 15 years. Who else would do an entire collection dipped in tea? I did that one year. My design team dipped every single dress in tea in a bathtub. I did that just because I wanted to work out of the vocabulary of white.
I brought color to bridal. There was one whole season of blush. If you think about the bareness, the illusion (fabric), the corsets that I did in bridal, they were trends in ready-to-wear, too.
When I came to Delhi first and said, "This is not India. And then I was taken to Varanasi and there I loved, loved the culture. It was a beautiful journey. The way the people dressed - even the poorest people, and the fabrics! With vegetable dyes, and I was fascinated by the color. But in the end I loved the men - all in white - so many shades of white. And I said, "What am I going to do? A color collection or a white collection?" I finally did a neutral white collection.
I was lucky enough to create my own dress, deciding on every single design detail. But, even if you don't have a custom dress, you can still create a signature wedding-day look with personalization - a belt, altering the sleeves, etc. But, when creating your bridal style, the most important thing to remember is to make it feel like you.
I did not move into developing or processing color. I stayed with black and white. I still think to this day that I prefer to work in black and white if it has to do with poetry or anything other than specific reality. I have worked in color when I thought it was the appropriate way to express the thought that I was working on
I did not move into developing or processing color. I stayed with black and white. I still think to this day that I prefer to work in black and white if it has to do with poetry or anything other than specific reality. I have worked in color when I thought it was the appropriate way to express the thought that I was working on.
Designing bridal is perfect for me, because black is my least favorite color, if you could call it a color.
Almost every collection I do has 200 different references. I don't have two of the same coat, two of the same dress. I have it in one color, in one fabric. I've tried to adapt the culture of couture, and the know-how and the heritage, but I try to update it.
I tried working with the best of directors and producers. I tried being selective, but things didn't work out. Now, I am open to working with anybody and everybody who is good. Or I'll try to make it good. That suits me.
I have a Viking stove. The color is butter lemon, and I had to wait several months for it, because that color wasn't available and I really wanted butter lemon! But I don't know that it's seriously ever been cooked on. I mean, I make tea every morning. Does that count?
If I go home I'll see poverty, I didn't want to go home. No vegetables today. So make black tea and eat stuffed bread dipped in black tea. The noise from the machine while stitching dupattas. I've heard that for 21 years of my life because my mother used to stitch veils. I still get irked when I listen to it.
I love working out. I mean, I've been doing it for about 20 years every day of my entire life. So I enjoy working out.
The whole basis of working in black and white and grays became the basis of my understanding of color, because it's all about tone, it's all about light and dark. If you don't get that, then your color work is going to be a mess. So that's the beginning of the toolkit: drawing and black and white media.
When the talks about our wedding began, I had asked him, which color he would want my bridal attire to be, and he had replied, Jade'. So, I ensured that was the color of my wedding lehenga.
Charred bits of black silk swirl into the air, and pearls clatter to the stage… I’m in a dress of the exact design of my wedding dress, only it’s the color of coal and made of tiny feathers. Wonderingly, I lift my long, flowing sleeves into the air, and that’s when I see myself on the television screen. Clothed in black except for the white patches on my sleeves. Or should I say my wings. Because Cinna had turned me into a mockingjay.
It is the experience of those who have tried it, that working from a sense of duty, working for the work's sake, working as a service, instead of for a living, or to make money, or in order to hoard up wealth, brings blessings into the life.
Everything does come from nature. That's where you get new ideas. Just draw the landscape. I felt doing it with a bit of burnt wood was also good because I was drawing burnt wood with a piece of wood. I wanted to do black and white. After using color, I thought black and white would be good. You can have color in black and white. There is color in them, actually.
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