A Quote by Vera Wang

I love the focus and bravery of European designers, but I love the nonchalance and throwaway aspect of America that has made Ralph Lauren and Calvin Klein two of the greatest icons. I try to bridge those two worlds in my work. The clothes may be couture on the runway but there's an attitude that's very street and that comes from America.
I would never rep Versace. I can't stand her. I think she makes disgusting clothes. Calvin [Klein] is like, snore! Who wears Calvin Klein? I'm not dissing him. I think he's built an amazing, respectable business, but I would never want to work for Calvin Klein, ever.
I love Polo. I have a lot of Ralph Lauren suits. I got Dolce, I got a little bit of everything. And my favorite thing about Ralph Lauren is that he puts the number three on a lot of his clothes, so I feel like it's meant for me.
People are like, "Why are you all dressed up? Did you dress up just for me?" I'm like "No, I dressed up because I'm an adult and I felt like putting on my suit." But I love it. Tom Ford and Ralph Lauren are my two heroes of clothing designers.
I got to train with some of the best and have critics like Oscar de la Renta and Calvin Klein. As a student under Calvin Klein, my project was to make a coat, and then years later, I was hired at Calvin, by Calvin, to design coats for him. It came full circle!
I am still in love with couture because it is just two months from drawing pad to runway so everything on the catwalk is hot from the oven.
If you compare Russia and America, they are two different worlds. People, cars, clothes. Girls' figures. Especially girls' figures. Why do you think that is, that when an American goes to Russia for a week, he stays for two extra weeks? Girls! And when a Russian goes to America for a week, he leaves in five days. I'm serious!
Of course, we always get references from the past, but that doesn't mean that the clothes have to look like the past. We need to look forward, which is why I'm fascinated by new materials, technologies, techniques, and unusual ways to use colors or textures. It's very applicable to Calvin Klein because Calvin Klein has always been about modern-ness.
I have made things for Calvin Klein and other designers, and it's interesting to see the way each person approaches it.
I've never seen Ralph Lauren, Rick Owens, or Raf Simons described as white designers. They are just designers.
With a few exceptions like Kraftwerk, most great 20th century Western music is in some way American-based. And the great paradox of America, the paradox that distills America, is that this greatest of American contributions to humanity, this American contribution that probably has influenced more people around the world for the good, that probably has brought more people around the world unqualified joy, was born of America's greatest evil, slavery. Or one of the two great evils anyway, counting the European extinction of those who were on the continent first.
I love America and I hate it. I'm torn between the two. I have two conflicting visions of America. One is a kind of dream landscape and the other is a kind of black comedy.
We'll build a bridge of love between two worlds.
I'm committed to sign in everything I communicate, but I also speak. I still believe that I reach more people when I do that. I bridge two different cultures and two different worlds, and I think that bridge still needs work.
The most inspiring thing for me about Calvin Klein was how subversive the advertising's message was. That's what drove me in my creative process and also in my creating now. The new advertising campaign is Calvin Klein the way I see it today. It's also bringing back the kind of subversive element that I always saw in Calvin Klein's campaigns.
I love couture, but the other side of me loves the street, and I think the mix of these two can create something new.
I love that you can have the language between the two worlds of technology and fashion, because I don't think that many designers get to do that.
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