A Quote by Vera Wang

I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style. — © Vera Wang
I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style.
I think there's going to be a real push in the next two years in Asia - China and Korea specifically. And that's a huge undertaking. Ten years ago it was impossible to break into that part of the world. Some of the biggest companies in the world found it challenging. But I am Chinese-American and I think what we do will resonate in China. So that's where we see our biggest opportunities going forward. I do speak Mandarin and I also relate to the hunger that China has for culture and architecture and style.
I went back to China and did a movie in Mandarin, and I don't speak Mandarin, so I learned it phonetically. Now, when I'm on set and somebody gives me English lines, I'm like, "Are you kidding? What's happening? This is amazing!"
When I was at Yale, I was one of the students chosen to go to China. I lived there for 1-1/2 years and I can speak Mandarin fluently.
The most difficult thing is that I don't speak Mandarin and I had this experience - of working in a language that I don't understand - before and it's really horrible. Eighteen years ago, I played a mute in one film because I couldn't speak Mandarin. There was another film where I had to speak Vietnamese. It's horrible!
I want to position myself as a great singer/songwriter in Korea, then jump off that into different markets. South-east Asia, China, Japan - I've done nothing even though I speak four languages - English, Korean, Spanish, and a little bit of Mandarin.
Somehow you get past languages. I don't speak Mandarin. I don't speak fluent Italian. I don't speak German. But it's amazing how when you need to get something done, it finds a way.
In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style. The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste. There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
Hunger in the midnight, hunger at the stroke of noon Hunger in the banquet, hunger in the bride and groom Hunger on the TV, hunger on the printed page And there's a God-sized hunger underneath the questions of the age
I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works. Because I'm forced to limit myself to quite strict rules about what I did. Maybe that's how I avoided pastiche.
The very essence of architecture consists of a variety and development reminiscent of natural organic life. This is the only true style in architecture
The very essence of architecture consists of a variety and development reminiscent of natural organic life. This is the only true style in architecture.
I can speak passable Mandarin. I will not be translating at the U.N. anytime soon.
China's culture and history are closely related to my living environment. This country is my birthplace. It is also where I grew up. Its culture and history shape my relations with family, friends, society, and daily life.
I'm working on a school of architecture in China. It's rare that an architect gets to design a school of architecture, and here I get to do it. I'm so pleased that they asked me.
Once I became interested in China, I flew to Beijing in 1996 to spend half a year studying Mandarin. The city stunned me.
I was born and raised in China, Mandarin is my first language, and I definitely know America. I think that will be my strength, to try and bring the two worlds together.
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