A Quote by Verlyn Klinkenborg

Flow is something the reader experiences, not the writer. — © Verlyn Klinkenborg
Flow is something the reader experiences, not the writer.
The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
As a reader, when the writer gets sentimental, you drift, because there's something fishy going on there. You recognize a moment that's largely about the writer and the writer's own need to believe in something that might not in fact exist. As a reader, you think, 'Where did the story go? Where did the person I'm reading about go?'
It is easier for the reader to judge, by a thousand times, than for the writer to invent. The writer must summon his Idea out of nowhere, and his characters out of nothing, and catch words as they fly, and nail them to the page. The reader has something to go by and somewhere to start from, given to him freely and with great generosity by the writer. And still the reader feels free to find fault.
We must be forewarned that only rarely does a text easily lend itself to the reader's curiosity... the reading of a text is a transaction between the reader and the text, which mediates the encounter between the reader and writer. It is a composition between the reader and the writer in which the reader "rewrites" the text making a determined effort not to betray the author's spirit.
I'm a writer because I love reading. I love the conversation between a reader and a writer, and that it all takes place in a book-sort of a neutral ground. A writer puts down the words, and a reader interprets the words, and every reader will read a book differently. I love that.
I tend to think that the onus is on the writer to engage the reader, that the reader should not be expected to need the writer, that the writer has to prove it. All that stuff might add up to a kind of fun in the work. I like things that are about interesting subjects, which sounds self-evident.
[In the moment of reading writer and reader] are both briefly their best selves, or at least better selves. A flawed human being writes something and 60 years later a reader picks up the book and something in them rises to meet it.
The writer's job, after all, is not to dictate meaning, but to give the reader enough pieces to create his or her own satisfying meaning. The story is truly finished—and meaning is made—not when the author adds the last period, but when the reader enters the story and fills that little ambiguous space, completing the circuit, letting the power flow through.
How often I have tried to tell writing students that the first thing a writer must do is love the reader and wish the reader well. The writer must trust the reader to be at least as intelligent as he is. Only in such well wishing and trust, only when the writer feels he is writing a letter to a good friend, only then will the magic happen.
For me, even in the most subtle and introspective story, it's all about tension: this is the thread that ties a reader to story, something in the rhythm and in the argument that hypnotizes and pushes us to read with great attention. As a reader, I love the storytellers who play with this, and as a writer it is something I always look for.
I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.
For me, an ideal novel is a dialogue between writer and reader, both a collaborative experience and an intimate exchange of emotions and ideas. The reader just might be the most powerful tool in a writer's arsenal.
If the writer were more like a reader, he’d be a reader, not a writer. It’s as uncomplicated as that.
Any writer who gives a reader a pleasurable experience is doing every other writer a favor because it will make the reader want to read other books. I am all for it.
A writer is, after all, only half his book. The other half is the reader and from the reader the writer learns.
Once you finish a book, it doesn't belong to you anymore. You're giving it to other people. If something in what a writer writes can excite the imagination and the feelings of the reader, then that reader carries it around forever. Nothing is more vivid than good fiction.
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