A Quote by Verne Troyer
I got a call from somebody who used to be the president of Little Persons of America. She got called from some producers who wanted someone of a certain size in the John Hughes film 'Baby's Day Out.' So that was my big break, as the stunt double of a nine-month-old.
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But I sent letters to people in the music business. And one day I got a phone call from somebody and he asked me when I was born and where I was born. And, you know, three or four days later I got a call. Someone said, you know, Yoko Ono wanted to meet me in New York. I got on a plane. And the next day I was having coffee with John Lennon.
I'm an athlete; I've got an ego when stunt doubles have to come in. Not an ego like that, but when it comes to physical stuff, if I didn't have to have a stunt double, I would always probably do it myself unless the producers were jumping in and stopping me.
I don't think blogs can make or break a candidate. I think they're going to be important to a certain degree. I think they can help somebody who's lesser known, somebody's who's lower down in the food chain politically. I think somebody like a Hillary Clinton doesn't necessarily need bloggers for people to know who she is and what she stands for. I think she's got all the - she's got a big enough soap box - a bigger soap box than she'll ever need that we could ever provide in the blog world.
My little sister told me about the Twilight books and what a big fan she was. She said, "It's like Harry Potter in love," which it's not. So, when the audition came up, I wanted to get the film for her. It was great because I got to take her to the premiere. She got all dolled up and was treated like a princess for the day.
When something is based on an iconic film, and we found this out with "The Producers" too, you've got to pay homage to what I'd call the greatest hits. ... People expect certain lines and moments they love.
I think I copied my style from Louis Armstrong. Because I used to like the big volume and the big sound that Bessie Smith got when she sang ... So I liked the feeling that Louis got and I wanted the big volume that Bessie Smith got. But I found that it didn't work with me, because I didn't have a big voice. So anyway between the two of them I sorta got Billie Holiday.
I got the name from my grandma because when I was a baby, she used to call me jittery. I used to move around real fast.
My boy, that was a TV show. I used a stunt double. I always use a stunt double. Except in love scenes. I insist on doing those myself.
The thing that stood out above and beyond all the experiences was this relationship with the nine-month-old baby. On weekends, I'd be thinking about going back to set on Monday just to see the baby.
If you go with what Hillary [Clinton] is saying, in the ninth month, you can take the baby and rip the baby out of the womb of the mother just prior to the birth of the baby. Now, you can say that that's OK and Hillary can say that that's OK. But it's not OK with me, because based on what she's saying, and based on where she's going, and where she's been, you can take the baby and rip the baby out of the womb in the ninth month on the final day. And that's not acceptable.
When I did Sean Penn’s movie, I think I was living in, like, a $500-a-month room, and someone called me up or bumped into me and asked me if I’d come up to work for a day. That sort of got me going a little bit. But it wasn’t until Sin City [2005] that I kind of got back into the game.
On my block, we grew up like family. Summer times, man, psshh, we in the back in the alley or in the front on the block. Somebody has some music playing, and nine times out of ten, it's soul music. We got whatever we drinking that day, we got some food, we probably even grilling. It's just a good time.
At her birthday, my seven-year-old daughter will say that she wants these big cakes and certain expensive toys as presents, and I can't say no to her. It would just break my heart. But when I was little, for birthdays we just played outside and we were happy if we got any cake.
After the first time I got traded - I was in the bullpen warming up for a game in Double A, and I got called back in and got traded - that was probably the, like, most crazy it could be. And once I got traded, the next time it got a little easier, and I got traded the next time - it's just part of it.
I think when romantic comedies are done well, it's a great genre. 'When Harry Met Sally' is kind of a benchmark for me, but I'm very happy to admit that I love 'Pretty Woman.' I do! It's a great film, and so is 'Sixteen Candles.' I was a big John Hughes fan - still am. I have moments where I have to watch a Hughes film.
Well, when I was a kid I used to hide behind the curtains at home at Christmas and I used to try and be Elvis. There was a certain ambience between the curtains and the French windows, there was a certain sound there for a ten year old. That was all the ambience I got at ten years old... I think! And I always wanted to be a certain, a bit similar to that. But I didn't want to sell pizza.
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