A Quote by Verner Panton

One sits more comfortably on a colour that one likes. — © Verner Panton
One sits more comfortably on a colour that one likes.
A beautiful feature in the colour wood-cut, and one unique in printing, is colour gradation... Two brushes are sometimes used, one charged with more potent colour than the other. Line blocks are nearly always printed with some variation of tone, and often in colour too.
The true colour of life is the colour of the body, the colour of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest colour of the unpublished blood.
Sometimes I sits and thinks. Other times I sits and drinks, but mostly I just sits.
In the studio, we adhere to a strict colour code. Developed over decades, the colour code consists of a finite and precise colour palate... The whole world as we experience it comes to us through the mystic realm of colour.
The working-class is now issuing from its hiding-place to assert an Englishman's heaven-born privilege of doing as he likes, and is beginning to perplex us by marching where it likes, meeting where it likes, bawling what it likes, breaking what it likes.
There needs to be more film directors of colour. They bandy about the word 'diversity' a lot, but when I say 'of colour,' I mean Asian, black - I mean people of all colour. We need to have those voices given the opportunity, not told that their films will not be distributed or will not sell well abroad.
A cat likes to hear you calling him. He sits in a bush a yard from your shoes - and listens.
I'm the kind of person who likes to hang out and observe what's going on in the streets, or in certain places. I used to do that a lot. But having to become an international superstar, I can't do that comfortably! But it's all positive, you know.
For me, pink or lilac is the colour of innocence, it's the colour of love, it's the colour of everything happy.
Sometimes I can see colour without opening my eyes. I saw that Billy's heart was no colour and every colour. Like water or diamonds or crystals, it's pure and reflects the light.
I don't have anything against colour. It is just not my first preference. I have always found black and white photographs to be quieter and more mysterious than those made in colour.
I wouldn't know what to do with [colour]. Colour to me is too real. It's limiting. It doesn't allow too much of a dream. The more you throw black into a colour, the more dreamy it gets… Black has depth. It's like a little egress; you can go into it, and because it keeps on continuing to be dark, the mind kicks in, and a lot of things that are going on in there become manifest. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream.
Comfortably middle-class, I had shopped for years at the likes of Saks outlet Off Fifth, Banana Republic, and Zara. My mom raised me to believe clothes should be comfortable and practical, not frivolous.
It's a very simple process. He [Danny Boyl] comes in the tube (subway) and then he sits with me for 3 hours every evening and then I work on something. Then later, if he likes something, I put it even more perfectly. I tweak stuff. So this happened for 3 or 4 weeks and the music was done.
Having small touches of colour makes it more colourful than having the whole thing in colour.
You reason colour more than you reason drawing Colour has a logic as severe as form.
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