A Quote by Vernon Davis

I knew he would never play for Wales ... he's tone deaf. — © Vernon Davis
I knew he would never play for Wales ... he's tone deaf.
Even if nobody's singing, just when you talk, you're singing. I'll meet somebody and say, "Oh, I'm tone-deaf." I say, "You're not tone-deaf, because if you were tone-deaf you would speak like that. But you're 'Oh, I'm tone-deaf.' You already sang a song to me."
There was never a question of who I was going to play for. The English showed a bit of interest, but I was born in Wales raised in Wales so there was never any doubt about that.
But I'm tone deaf - window-shattering tone deaf. I can't sing for the life of me. I can't sing or dance, so no remake of 'Grease' for me!
I grew up in a really musical house where all of my brothers and sisters could sing, but I couldn't sing. Not only could I not sing, I couldn't hear pitch. I was totally tone deaf - legitimately, one hundred percent tone deaf. Nevertheless, I loved music.
I knew I wanted to play for Wales from an early age.
I wanted to be a lead singer in a band. I can't sing. I'm almost tone deaf. I still play. Next life, rock'n'roll for sure.
The deaf community is nearly never portrayed accurately on television/film because most writers never took the time to immerse themselves in the deaf culture before portraying it on television. They also never got to know their deaf actors.
It's exciting to share an art form that I would never have imagined sharing with the deaf community. Doing musicals, it's not like, 'Oh, I'll do a musical with a deaf person.'
Everyone I know is fervently proud to be Welsh but you try not to be preachy about it. It's difficult at times. But when I go home to north Wales, or to somewhere I've never been in south Wales, I still feel at home because I'm in Wales. It's hard to explain.
Metaphorical tone deafness is when people are unable to discern what is of value in something. I think I'm tone deaf to poetry, for instance. Despite having studied it into a second year of university, most of it just leaves me cold.
For 'For Real,' where I play a singer who has to give up her passion for her husband and family, I practised singing for hours, in bathroom, in subways, though I am tone deaf.
I was very pleased that the positive things about me and my game outshone the aggressive style of play I use. I would never tone that down, because I believe in that style of play, and I believe that you can play rough on the court and still be a good sport.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
As goofy as it sounds, I try to sing in the morning. It's hard both to sing and to maintain a grouchy mood, and it sets a happy tone for everyone - particularly in my case, because I'm tone deaf, and my audience finds my singing a source of great hilarity.
One of the reasons I wanted to teach deaf children was because it made me very sad that they spoke so clumsily and that they moved with less grace that I knew was possible of deaf people.
Would I have signed to Def Jam if I knew they was deaf? Nah.
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