A Quote by Vernor Vinge

How to explain? How to describe? Even the omniscient viewpoint quails. — © Vernor Vinge
How to explain? How to describe? Even the omniscient viewpoint quails.
I'm a strong believer in telling stories through a limited but very tight third person point of view. I have used other techniques during my career, like the first person or the omniscient view point, but I actually hate the omniscient viewpoint. None of us have an omniscient viewpoint; we are alone in the universe. We hear what we can hear... we are very limited. If a plane crashes behind you I would see it but you wouldn't. That's the way we perceive the world and I want to put my readers in the head of my characters.
How do we define, how do we describe, how do we explain and/or understand ourselves? What sort of creatures do we take ourselves to be? What are we? Who are we? Why are we? How do we come to be what or who we are or take ourselves to be? How do we give an account of ourselves? How do we account for ourselves, our actions, interactions, transactions (praxis), our biologic processes? Our specific human existence?
How could he convey to someone who'd never even met her the way she always smelled like rain, or how his stomach knotted up every time he saw her shake loose her hair from its braid? How could he describe how it felt when she finished his sentences, turnec the mug they were sharing so that her mouth landed where his had been? How did he explain the way they could be in a locker room, or underwater, or in the piney woods of Maine, bus as long as Em was with him, he was at home?
How can I describe how much I love you? Is it even possible to describe a love like that? I don’t know, but as I sit here with pen in hand, I know that I have to try.
I want to explain how exhausted I am. Even in my dreams. How I wake up tired. How I’m being drowned by some kind of black wave.
I'm not sure I ever try to make a case for the music. I mean, sometimes the music isn't even that good. I just tell the band's stories; if I describe the music, it's to explain how it moved the overall story along.
For a lot of people, 'Dungeons & Dragons' has been a hard thing to describe. I can't tell you how many social environments I've been in where I say, 'I play 'D&D,'' and a bunch of normies will be like, 'How does the game even work? What's that like?' I didn't have anything to really describe it that didn't make me sound like a crazy person.
I can't even explain how blessed I am and how fortunate that I have such a great team that believes in me.
I would not describe my personality. And I think when you describe people, you are making a mistake. That's not how they are; that's how you perceive them at that moment. It's limiting in front of something that is magnificent and unlimited: life.
Sometimes you meet people that try to explain to you your work, and how to write a song and how to sing it, and they explain that you are doing it the wrong way. And yeah, it's always super frustrating.
To describe this world is not to describe reality 'in itself', as it is independently of how we regard and describe it.
I don't know how to explain how, probably to my detriment, unselfpromoting I am. I used to have a cabaret act and I didn't even like to tell me people about that. I really hate selling myself.
Any time they try to describe the tsunami to us, I am so touched by how high they look in the air, when they explain it with their hands-they go so high.
It is useless for me to describe to you how terrible Violet, Klaus, and even Sunny felt in the time that followed. If you have ever lost someone very important to you, then you already know how it feels, and if you haven't, you cannot possibly imagine it.
How I would describe my characters is absolutely different from how I would describe myself.
Republicans and others who are in anguish over the possibility of socialized medicine ought to have to explain their ideology to a mother with a sick newborn. They ought to have to explain how this nation can debate health care and not mention how abysmal ours is.
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