A Quote by Veronica Roth
What do--" Tobias's voice. Tobias! "Oh my God. Oh--" "Spare me your blubbering, okay? Peter says. "She's not dead; she's just paralyzed. It'll only last for about a minute. Now get ready to run." I don't understand. How does Peter know? "Let me carry her," Tobias says. "No. You're a better shot than I am. Take my gun. I'll carry her.
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I don't know if you know this," Tobias says, "but Edward is a little unstable." "I'm getting that," I say. "That Drew guy who helped Peter perform that butterknife maneuver," Tobias says. "Apparently when he got kicked out of Dauntless, he tried to join the same group of factionless Edward was a part of. Notice that you haven't seen Drew anywhere.
Whoa there, Tobias," says the man to my left. "Weren't you raised a Stiff? I thought the most you people did was... graze hands or something." "Then how do you explain all the Abnegation children?" Tobias raises his eyebrows. "They are brought into being by sheer force of will," the woman on the arm of the chair interjects. "Didn't you know that, Tobias?" "No, I wasn't aware." He grins. "My apologies.
My name is Tobias Eaton," Tobias says. "I don't think you want to push me off this train." The effect of the name on the people in the car is immediate and bewildering: they lower their weapons. They exchange meaningful looks. "Eaton? Really?" Edward says, eyebrows raised. "I have to admit, I did not see that coming." He clears his throat. "Fine, you can come. But when we get to the city, you've got to come with us." Then he smiles a little. "We know someone who's been looking for you, Tobias Eaton.
What's weird is when you meet a girl who is 23 and you are talking to her, even her voice is high-pitched, she's young. You ask her how old she is, she says, 'Twenty-three, how old are you?' and when I tell her I'm 41 it's like I've just told her I have cancer. It's, 'Oh my God, how long have you had that?'
My mother says to me, when I'm making a new movie, she says, "Oh, is Steve Buscemi in it?" I'd say, "Yeah." And she, "Oh, then it's going to be a good one." I swear to God, she says that every time. And when I say Steve's not in it, she says, "Oh."
She believes that Tobias belongs to her now. She doesn't know the truth, that he belongs to himself.
I pu my finger to her lips. "You have to hush a minute so that I can tell you something." "What?" she says, bites my finger. I look at her. "I love you." She gets quiet, the kind of quiet that sinks into her, softens her. "Well that works out," she finally says, her voice deeper and breathless, her eyes moist, "because I love you too." She turns, leans against my arm, and settles into me.
If a girl breaks up with me, I want her to just die, just be dead. Not 'cause I hate her so much as it's just easier for when my friends go, 'Hey, what happened?' 'Oh, she's dead. I'd still be with her, but she's dead. What can I do? She was loving me, but she's dead.'
My mother was superb. Even when I said to her, when I was nineteen, oh, I'm going to India. Her immediate reaction was, oh yes dear, and when are you leaving? She didn't say, oh how could you leave me, your mother? Or wait a bit dear until you get a bit older and you know your own mind. She just said, well, when are you going? And that was because she loved me, not because she didn't love me.
After the last screening [of "Selling Isobel" ] an 18-year-old girl came up to me and said, "Oh my God, I'm so naïve." I said, "No, you're not, you're just young." And she's so grateful for having seen it, because she's an actress and from now on she's going to take a friend with her to auditions and let her mom know exactly where she's going. That's a job done right there.
And oh, god, how could so much regret and so much sweetness and so much sadness all be present in that single moment. I was already dead and missing my unlived life. I was already dead and Tobias was mourning. I tried to smile. For him.
I was only kidding about the hundred," she says. oh," I say, "what will it cost me?" she lights her cigarette with my lighter and looks at me through the flame: her eyes tell me. look," I say, "I don't think I can ever pay that price again.
Color fills her cheeks, and I think it again: that Johanna Reyes might still be beautiful. Except now I think that she isn't just beautiful in spite of the scar, she's somehow beautiful with it, like Lynn with her buzzed hair, like Tobias with the memories of his father's cruelty that he wears like armor, like my mother in her plain gray clothing.
I am standing on the seashore. A ship spreads her white sails to the morning breeze and starts for the ocean. I stand watching her until she fades on the horizon, and someone at my side says, She is gone. Gone where? The loss of sight is in me, not in her. Just at the moment when someone says, She is gone, there are others who are watching her coming. Other voices take up the glad shout, Here she comes! That is dying.
How shall I ever tell Aunt Shaw?' she whispered, after some time of delicious silence. 'Let me speak to her.' 'Oh, no! I owe it to her, - but what will she say?' 'I can guess. Her first exclamation will be, "That man!" ' 'Hush!' said Margaret, 'or I shall try and show you your mother's indignant tones as she says, "That woman!"
The next time she comes back, no matter what she says, listen to her well. If she cries, give her a handkerchief and wait until she's done crying. If she curses me, curse with her. And if by any chance she asks about me, tell her that I'm sorry.
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