A Quote by Veronica Roth

I want to cry because something terrible happened, and I saw it, and I could not see a way to mend it. — © Veronica Roth
I want to cry because something terrible happened, and I saw it, and I could not see a way to mend it.
Because that’s how it works after something terrible has happened. You know this is true if something terrible has ever happened to you. A thousand objects take on new meaning. Everything is a reminder of something else.
I'm trying to teach my children not to cry. That's the big thing. No crying. Because I think we can all agree that crying is, for the most part, for sissies. If my team loses, I'm going to cry. And I'm going to want my kids to see me crying. Not because I think sports are so important, but because I bet so much money on the game that we'll probably lose the house if my team doesn't win. That's something to cry about.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
I woke up and all I could see was Iraqis standing all around me, looking down upon me. I knew at that moment something terrible had happened and I wasn't in the right place.
Just don't pollute something that's not dirty. I want my kids to be happy and I want them to be themselves. I was saying to a friend the other day, 'Remember, our kids are not us.' They're not. Sometimes we're trying to fix things that happened to us or projecting [onto them], and that's a terrible, terrible trap.
People cry at weddings for the same reason they cry at happy endings: because they so desperately want to believe in something they know is not credible.
My siblings and I were watching the evening news and we saw it flashed across the screen that our father had been shot... we just knew that something terrible had happened.
I want to see that 'Anita' documentary. I want to see 'Lovelace'; I want to see 'After Midnight,' because I saw the other two and I loved them. I thought the last one was great.
When I was a kid I thought I saw a ghost in the forest when I was on a bush walk, like a walk through the forest. I saw something weird pass from one side of the track to the other, and it was sort of a white, blurry... it's hard to describe, really, something that was almost see-through but it just moved in front of me. It was definitely something you could tell was there, and it really freaked me out. I think I was probably 10, and I ran all the way home.
The reason that MGM hired Bobby for Our Gang was that they could look at him and say, cry, and he'd cry, and not many kids can do that unless they really want to cry.
If you are a woman and you bought this book for practical tips on how to make it in a male-dominated workplace, here they are. No pigtails, no tube tops. Cry sparingly. (Some people say “Never let them see you cry.” I say, if you’re so mad you could just cry, then cry. It terrifies everyone.)
The way I saw the characters these things just happened naturally. At the same time - and I know it's probably not apparent when you read the book - but I really tried to hold back because I didn't want it to become a cartoon.
I didn't see [Luigi St. Omer] as a teacher. I saw him as a comrade I respected and I could go to see anytime something was bothering me. He was indeed my "big brother". He praised me when I did something exceptional and scolded me when I did things which were out of the way.
I saw my town as if I had just arrived. It was as if I was waking up. You see houses and buildings every day, and you walk by them on your way to something else, and you hardly see. You hardly notice they're even there, mostly because there's something else going on right in front of your face, But when the town itself becomes the thing that is going on right in front of your face, it all changes, and you're not just looking at a house, but at what's happened in that house before you were born.
Some people say, “Never let them see you cry.” I say, if you’re so mad you could just cry, then cry. It terrifies everyone.
Blessed are the powers that grant me magic. I promise to use their gift well. To help mend my world. To help mend all worlds. And should I forget to mend, Should I refuse to mend, Still I will remember To do no harm.
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