A Quote by Veronica Roth

I shift from one foot to the other, trying to get a good look at him. When I finally do, I look away. His eyes were already on me, probably drawn by my nervous movement. — © Veronica Roth
I shift from one foot to the other, trying to get a good look at him. When I finally do, I look away. His eyes were already on me, probably drawn by my nervous movement.
I let my head fall forward into his shoulder, breathing in his scent. "Now what do we do?" He's quiet for a while and I finally lean back to look him in the eyes. He appears conflicted by something and then he sets me down on the ground, lacing his fingers through mine. "Should we see where the wind takes us?" he asks. I stare at my hand in his and then look up at him. "That sounds good to me.
Sean pushes up to his feet and stands there. I look at his dirty boots. Now I've offended him, I think. He says, "Other people have never been important to me, Kate Connolly. Puck Connolly." I tip my face up to look at him, finally. The blanket falls off my shoulders, and my hat, too, loosened by the wind. I can't read his expression--his narrow eyes make it difficult. I say, "And now?" Kendrick reaches to turn up the collar on his jacket. He doesn't smile, but he's not as close to frowning as usual. "Thanks for the cake.
Seth laughed when he saw me. “Hey,” I said, poking him with my foot, “be nice.” “I think this is the first time I’ve ever seen you look anything less than…” He paused, playing with word choice. “Well-planned.” “Why, you silver-tongued romantic devil. That is the look I usually go for. Other women go for sexy or chic or beautiful. But me? Well-planned all the way.” “You know what I mean. Besides, unplanned isn’t a bad look for you. Not bad at all.” His voice sounded deliciously low and dangerous, and something ignited between us as we held each other’s eyes.
Do you truly believe that you care more for me than I do for you?" he murmured, leaning closer to me as he spoke, his dark golden eyes piercing. I tried to remember how to exhale. I had to look away before it came back to me. "You're doing it again," I muttered. His eyes opened wide with surprise. "What?" "Dazzling me," I admitted, trying to concentrate as I looked back at him. "Oh." He frowned. "It's not your fault," I sighed. "You can't help it.
I listened for the voice I knew so well, the one I always heard at the beginning. Good girl, Macy! You're doing great! You know the first steps are the hardest part! They were. Sometimes I felt so out of sync, it was all could do not to quit after a few strides. But I kept on, as I did now. I had to, to get to the next part, this part, where I finally caught up with Wes, my shadow aligning itself with his, an dhe turned to look at me, pushing his hair our of his eyes.
I don't look at people's expressions, because I still get nervous when I play, especially when I first put the harp up there. I just try to tune - it takes me a half-hour to tune, and I get nervous if I look at anybody when I do it.
And then something truly bizarre happened. I could feel his touch through our eyes. I couldn't look away from him. The girl in front of him seemed to disappear, and all there was in the hallway was him and the sweet, beautiful smell of his blood.
For a second, he was still, blinking. Then he shook off all the blankets and coats so that his arms were free and he wrapped them around me as tightly as he could. I felt him shuddering, shuddering against me as he buried his face in my hair. I said, uselessly, "Sam, don't go." Sam cupped my face in his hands and looked me in the eyes. His eyes were yellow, sad, wolf, mine. "These stay the same. Remember that when you look at me. Remember it's me. Please."" — Grace and Sam (Shiver)
The whole point of a bar is, I look in your eyes, you look in my eyes, we've never met each other before, we talk, we get to know each other, have a drink together, and the great end of that story is we get married someday.
The love in his eyes was so powerful, I needed to look away. Seth had an amazing grasp of the English language, but there were days when that skill was nothing compared to what he told me in his looks.
It is a fearful thing to hate whom God hath loved. To look upon another-his weaknesses, his sins, his faults, his defects is to look upon one who is suffering. He is suffering from negative passions, from the same sinful human corruption from which you yourself suffer. This is very important: do not look upon him with judgmental eyes of comparison, noting the sins you assume you'd never commit. Rather, see him as a fellow sufferer, a fellow human being who is in need of the very healing of which you are in need. Help him, love him, pray for him do unto him as you would have him do unto you.
We don't look at each other anymore. Not really. Not since I pulled him from that opium den. Now when I look at him, I see the addict. And when he looks at me, he sees what he would rather not remember. I wish I could be his adored little girl again, sitting at his side.
Look at His adorable face. Look at His glazed and sunken eyes. Look at His wounds. Look Jesus in the Face. There, you will see how He loves us.
People would read all kinds of reaction into it, but Tracy told me himself that half the time he was just standing very still, trying to look sober and composed. That takes nothing away from him. The fact he got away with it was a tribute to his talent.
I, I am my own woman. I have not been, quote, 'bred' to look the other way. I look at that man back there in the green room straight on, eyes wide open, and I look at him with an open heart.
To be able to look a young man in his eyes and believe in him and trust him and push him to be better, I get more out of that than scoring 3-pointers in general.
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