A Quote by Veronica Roth
Sometimes I see him as just another person, and sometimes I feel the sight of him in my gut, like a deep ache.
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The command is to love him, not just to think about him, or do things for him. We are not to stop with a proper legal relationship - for example, to think of a man as legally lost, which he is, in the sight of a holy God - without thinking of him as a person. Saying this, we can suddenly see that much evangelism is not only sub-Christian, but subhuman - legalistic and impersonal.
Sometimes I feel like both; sometimes I feel like neither. Sometimes I feel like something else completely. Gender-wise, I identify as a non-binary person, which means not male, not female.
Sometimes you wake up with mini panic attacks where you feel like 'Oh my God! I don't have a film right now! Should I just do something that comes my way because I don't have another film?' But I feel at the end of the day, your gut takes over.
When a book is alive, really alive, you feel it. You put it to your ear here, and you feel it breathe, sometimes laugh, sometimes cry, just like a person, a little person.
Tex Cobb would call me every day after we fought, I got sick of talking to him. I liked him a lot as a fighter, and as a person, and feel that sometimes he was misunderstood.
The pattern of a newspaperman's life is like the plot of 'Black Beauty.' Sometimes he finds a kind master who gives him a dry stall and an occasional bran mash in the form of a Christmas bonus, sometimes he falls into the hands of a mean owner who drives him in spite of spavins and expects him to live on potato peelings.
Sometimes I feel like being an intellectual. Sometimes I like to just be aggressive and all the way in my feelings. Sometimes I might be emotional, or sometimes I might drag on the track and be lazy. I just like to share the different states of existence of Kevin Gates with the rest of the world.
Even if I make fun of him, I try to portray him as a human being. Sometimes because he's the great Jean-Luc Godard, we see him as a concept.
Sometimes you meet a really nice guy, but no matter how you try, you can't seem to make yourself want him. But that's not nearly as bad as when you meet the wrong guy, and you can't make yourself not want him. You feel hollow inside, just waiting and wishing and dreaming. You feel like every moment is leading to something so amazing that there's no name for it, and if you could just get there with him, it would be such a...relief. It would be all you'd ever need.
My purpose, my whole life, had been to love him and be with him, to make him happy. I didn’t want to cause any unhappiness now—in that way, I decided it was probably better than he wasn’t here to see this, though I missed him so much at that moment the ache of it was as bad as the strange pains in my belly.
I play with a lot of emotion because I'm a passionate guy, and I play with that passion. I love playing that way. Sometimes you're late onto the ball, sometimes you're not. Sometimes you make contact with the guy when you tackle him, sometimes not. It's a sport where individual duels are vital, so I don't see it as a problem.
Sometimes I get so tired of trying to convince him that I love him and shall love him for ever. He pounces on my words like a barrister and twists them. I know he is afraid of that desert which would be around him if our love were to end, but he can't realise that I feel exactly the same. What he says aloud, I say to myself silently and write it here.
Sometimes I think man needs to feel a special position within nature, and this leads him to believe that he is either specially hated by other animals or specially cherished. Instead of the truth, which is that he's just another animal on the plain. A smart one, but just another animal.
I kissed him on the cheek and left to find Bobby Lee. Him, I trusted to be in the line of fire. But it was more than that: I wasn't sleeping with bobby Lee. I didn't love him. Sometimes love makes you selfish. Sometimes it makes you stupid. Sometimes it reminds you why you love your gun.
All I've learned in today's Shakespeare class is: Sometimes you have to fall in love with the wrong person just so you can find the right person. A more useful lesson would've been: Sometimes the right person doesn't love you back. Or sometimes the right person is gay. Or sometimes you just aren't the right person.
Thanks for nothing, Shakespeare.
I think [James] Joyce sometimes enjoyed misleading his readers. He said to me that history was like that parlor game where someone whispers something to the person next to him, who repeats it not very distinctly to the next person, and so on until, by the time the last person hears it, it comes out completely transformed. Of course, as he explained to me, the meaning in Finnegans Wake is obscure because it is a 'nightpiece.' I think, too, that, like the author's sight, the work is often blurred.
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