A Quote by Vic Mensa

Thinking about the artists I've loved through the years, my favorites are the ones who've made music with cultural, societal and political significance. — © Vic Mensa
Thinking about the artists I've loved through the years, my favorites are the ones who've made music with cultural, societal and political significance.
My advice to the 10 year old daughter is: fashion happens in a context. It's societal, it's cultural, it's historic, it's economic, and it's political. So all of her studies, everything that is happening in the world, all needs to be channeled through her in order to be a good designer.
What bothers me is when music becomes entertainment. Of course, music is supposed to be entertaining, but go back to any period of time - music had a cultural significance on different levels, whether it was folk music, it was the news of the village, or it had to do with the rites of passage.
Sheryl Crow. I loved her 'Tuesday Night Music Club.' She expressed her own point of view, and she wasn't trying to be like anyone else, and I loved that. That's been the thinking of all my favorite artists.
White artists have made millions of dollars off music they stole from black artists. I don't blame all the white artists. I'm a huge Stevie Ray Vaughn fan, and he was always very gracious about where he learned his music. But a lot of the time, you'd think the white guys thought it up. Hey, hasn't anyone heard of Muddy Waters?
What I've learnt about artists over the years is, artists are usually the opposite to their music.
I lived in the Caribbean when I was a teenager, so I learned about Salsa and Cha-Cha and all these Latin Afro-Cuban music like Gillespie and Duke Ellington, also bridged with Jazz. But my mother is Greek, and so I've also listened a lot to Greek music. And through the years to Balcanic music to Arabic music because my father loved music from Egypt.
I had a little radio, and I listened to music in my bedroom when I was supposed to be sleeping. I was probably 6 or 7 years old, and I loved the DJs who would come on and talk about the artists and the songs they were singing, and they gave away prizes. I was like, 'This is a cool job!'
What is the big political issue for Britain at the moment? Without wishing to sound portentous, it is about whether we can build a social democratic settlement, whether we can lay the political and cultural foundations for the next several years.
The protest songs of the 1960s and 70s managed to blend political and societal views with music from the heart.
I loved disco music, and I still count Donna Summer as one of my favorites of all time.
I'm fighting back against years and years and years of the cultural and the political left telling people to sit down and shut up.
I did a lot of work without thinking about it in a calm, rational way. Stopping and thinking about what I was doing made my music calmer and deeper in tone.
Even political insiders recognize that years of political effort on behalf of Evangelical Christians have generated little cultural gain.
There are artists that are using computers in all genres - Kendrick Lamar's music is electronic-made, and Taylor Swift is the same thing. There's a lot of pop music, underground music, and music for films made with computers. In that sense, it's not going to go away.
My music does say a lot about me and what I went through. All the songs are about things I have gone through and what I am thinking. I wrote about my family, friends and boys, of course, and about life.
Artists have their existential questions as human beings, and they address these questions in their works. But they are also thinking in a broader sense when they participate in a social and political debate through their works. Often the most important voices of artists in the political and the social debate are focused on originality in their works. We can see this in historical pieces, like "Guernica" by Picasso. "Guernica" was an extremely important manifestation and critique against war, but it was important and powerful because it was also an incredibly original and powerful work of art.
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