A Quote by Vic Mensa
I never look at it as if any of my successes were given to me through fate. Getting record deals, making the songs I've made, having fans and working with the people I work with aren't chance. I know that dedication and work have gotten me to where I am and will get me to where I wanna go.
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I'm always astounded that people know who I am and what I do. I still have a lot of anonymity and that's good. I don't get bothered in restaurants and stuff like that. But when I'm at events that are really geared toward animation fans, they know who I am. And I'm so very pleased and so flattered by it. People are extremely complimentary to me, and that only encourages me to continue to do more really good work. I get paid by the studios, but I know I work for the fans.
People ask me how I am such a good heel, but I don't know; I just try to be me and go and do what I need to do to get the job done on any show that I am on and achieve the work that is set up in front of me.
My fans have made all my career moments special for me. They are the ones that have gotten me through every single thing - good times and bad, they are who I go to and lean on. I am very thankful for that.
Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
You sometimes get the feeling that people think getting back together after a hiatus to write and record a record is work, you know, arduous and unpleasant. Being able to write and record - that's a privilege. I don't forget the long days I spent working in a restaurant, when I wanted to be done so I could go home and work on a song.
I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.
I built a reputation as a songwriter in the industry before my own hits. People were used to coming to me for songs. There were songs like 'Clown' and 'Mountains' that were my songs that I wanted to keep. But the record labels saw me as a songwriter. It was hard to get people to believe in me as an artist.
I cannot repay my fans for what they have done for me, they have given me so much love and that love has taken me to the number 1 position where I am today, the only thing I can do for my fans is to never stop working?
I know people like to work for me, and quite a few have gotten rich working for me.
Whichever work you do, people go through life having several priorities. I know my football is what got me here. The work I do for SOS or my charity work in general has always been a priority for me, and then my family is a priority as well, so you set yourself different things, and they just balance each other out.
Fans made me. The fans gave me a chance, and they made me. Beyond that, my career has been trials and tribulations and ups and downs, so I have to have true fans riding with me.
I feel fortunate that I've had a lot of songs recorded by other people, because I take my songwriting very seriously. It's only those people that have followed me over the years and really know my work that know how serious I am about all of it - including the way I look. You can't take my high heels from me, you can't have my long fingernails, you can't take all this hair from me, because it's part of this thing that I've become. I wouldn't want to give any of it up. Do I have to be ugly to be a songwriter? This is the way I am, and it's what I choose to be.
The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.
There were some jobs I wanted that weren't necessarily right for me at the time. The ones I thought I'd never get, I got. As long as I am doing the best work I can possibly do at any given time, I can't do any better than that.
The fans in Dallas were hard on me my first year, but after having a great year last year they are now supporting me. It feels great to have my hard work pay off, especially when the fans made it hard for me.
Originally, I wanted to do humanitarian work. I actually feel that getting into acting, which fate has led me to, is my window and path into humanitarian work. I always said I want to do something important. And I feel this work is what's helping me get there.
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