A Quote by Vic Morrow

I haven't seen the show, but when it was finished I felt good about what we had done. I don't know how it will stack up with Survival, but that'll be up to the critics. — © Vic Morrow
I haven't seen the show, but when it was finished I felt good about what we had done. I don't know how it will stack up with Survival, but that'll be up to the critics.
We became Homo sapiens not that long ago, from the scientific perspective, and we've retained a lot of our beast nature. We've done all these amazing things in terms of our knowledge base and technology, and now we're flying around and using the internet. But we're still very animalistic. So, I think about hierarchies. I think about evolution. I think about how we stack up, how we sit on top of each other. How we pray that we know what we're up to.
We accumulate pain, collect it. ... We display it, stack it up into a pile, then we stack it up into a mountain, so we can climb up onto it, waiting for or demanding sympathy: "Hey, do you see how big my pain is?"
Unfortunately, I'm not one of those people who take pictures, you know, carry a camera. Because if I did I'd have stack's and stack's and stack's of different act's. I got a lot here - I know what I done.
If I write a cop show, it's not up to me to decide how different it is from 'Law & Order.' I had screenwriters go on and on and on about how their cop show isn't like any other cop show on TV. They made very good points, and it absolutely doesn't matter. It's entirely up to the audience to decide.
I felt that film (Let It Be) was set up by Paul for Paul. That is one of the main reasons the Beatles ended. I can't speak for George, but I pretty damn well know we got fed up of being sidemen for Paul. After Brian died, that's what happened, that's what began to happen to us. The camera work was set up to show Paul and not anybody else. And that's how I felt about it.
I grew up in the north woods of Canada. You had to know certain things about survival. Wilderness survival courses weren't very formalized when I was growing up, but I was taught certain things about what to do if I got lost in the woods.
Critics are like eunuchs in a harem; they know how it's done, they've seen it done every day, but they're unable to do it themselves.
I wish my mother had left me something about how she felt growing up. I wish my grandmother had done the same. I wanted my girls to know me.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
What I like about sceptics is that in good science you need critics that make you think: 'Crumbs, have I made a mistake here?' If you don't have that continuously, you really are up the creek. The good sceptics have done a good service, but some of the mad ones I think have not done anyone any favours.
When you grow up in an extended family, or in a stable neighborhood with two or three generations of families who live there, you feel seen. Not just the good things you've done, the stuff you put on your resume. You know they've seen you in your dark times, when you've messed up - but they're still there.
I don't really know how many pitches I threw. It's kind of what I usually do in a bullpen, minus about, I had a plan out there. I knew what I was going to do warming up and I did it. I actually felt pretty good.
For other comics, it's about full-spectrum dominance, being on panel shows and having one-liners and being a good chat show guest and having a good seven minutes you can do on 'Live At The Apollo.' But I really think about these subsequent finished pieces, you know? And they don't always chop up well into one-liners and routines.
I have a stack of those plastic card hotel room keys that I picked up on this latest book tour. It's about a yard tall. Ah yes, a stack of lonely nights.
I know people will think it's funny because I've done glamour modelling in the past, but I felt embarrassed about my body and just wanted to cover it up.
There is some rationale backing Kim Jong-un's actions, which are survival - survival for his regime, survival for his country. And he has watched, I think, what has happened around the world relative to nations that possess nuclear capabilities and the leverage they have, and seen that having the nuclear card in your pocket results in a lot of deterrence capability. The lessons that we learned out of Libya giving up its nukes and Ukraine giving up its nukes is, unfortunately, if you have nukes, never give them up.
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