A Quote by Vic Morrow

Our cast and crew strive for this show after show hard as they can. It shows in the finished product. — © Vic Morrow
Our cast and crew strive for this show after show hard as they can. It shows in the finished product.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
A lot of times I think the cast members, the lead characters in a show really set the tone for the show. On some shows, the stars of the show will just be whining and complaining and spending the whole time texting their boyfriends on their Blackberries, and there's just no attention given to the work.
Show up, show up, show up, and after a while the muse shows up, too. If she doesn’t show up invited, eventually she just shows up
The crew loves working on the show, even though we have to work really hard. There's nobody in the show that's difficult. We really have a great group.
My partner after Fred Freeman was Jerry Belson. And Jerry Belson, after I was doing so well writing situation comedy, said, this is not good enough. We got to create our own shows. I said, but we're very happy doing this. No, no, no, you got to get your own show. So he made me - and he and I created our own shows. And we actually - everything we created failed. "Hey, Landlord" was our first show - 99th in the ratings. But imagine this - it's a great reflection on the years.
It's a very different show because of the elements that we're putting in. There's so many different styles of comedy, but Mr. Show was unique to Bob and David - two of the most brilliant performers and writers there are. Their show was based on them. Our show is a bit more broad. We have a cast of 7, we have guests. We can be slightly more topical.
You especially want to strive for that nuance on a show like 'The Flash,' which is different from 'Legends' in the sense that it's really, at its heart, a smaller show. It's a more intimate show, in a way.
I don't know much about writing a show or being a show-runner on a show, but I can only imagine that when you first cast a show and you first do a pilot, there are so many components that you're throwing into the mix and you're not sure how they're going to develop.
My friend Jerry Falwell was the one who said it, and he was a guest on my show, and it's hard to take the blame for everybody who shows up on your show.
'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.
'Ragtime' was the most magical show that I've done. I had an incredible experience with that, with the show itself, with the cast, with the audience. The response to that show - my God, it really blew me away, the reactions to that show, the way it changed their lives and altered their thinking, their own self-discovery.
Of course, 'Fox & Friends' is more of an entertainment product than a newscast. The show's viewers know that the morning show promotes Trump and his agenda. Most of Trump's interviews are with boosterish shows like this.
A show can be artistically successful; a show can be financially successful; a show can be successful by the transformative experience the audience is having; a show can be successful from the point of view of what is experienced by the cast and the company on a daily basis.
Well, we don't take money from people and then show the product. It has to be a product that we like anyway, and that's true for all five of us, which is one of the really nice things about the way we make the show.
If the wrong people show their true colors only after reaching our highest offices, Singapore is finished.
There are some times where being on the shows are great. Sometimes it's hard, when it's just like, 'the show must go on,' and there's a TV show that's being done.
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