A Quote by Vic Morrow
Because we are in a war situation, this can sometimes be dangerous work. But guys like A.D. Flowers and his technicians just take it in stride and get on with the job. In four years, we've never had a serious accident or injury working with all the explosions.
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Don't they know science doesn't work like that? You can't just order scientific breakthroughs. They happen when you are looking at something you've been working on for years and suddenly see a connection you never noticed before, or when you're looking for something else altogether. Sometimes they even happen by accident. Don't they know you can't get a scientific breakthrough just because you want one?
That's the difference between the serious artist and the craftsman--the craftsman can take material and because of his abilities do a professional job of it. The serious artist, like Proust, is like an object caught by a wave and swept to shore. He's obsessed by his material; it's like a venom working in his blood and the art is the antidote.
If you're a guy, you should get girls flowers all the time. They never get old and you can never get them enough. I'm never disappointed when I get flowers. I always thought guys who don't buy women flowers are such fools. All it takes is one. A little goes a long way with flowers.
I never wanted to churn it out. Comedians tend to work all the time. They never put it down like musicians who might make an album then take three or four years off to recharge their batteries. Comedians tend to work straight through and they get stale because of that. Even when I didn't have a lot of money I never ever did it unless I had something new to say.
Sometimes you know about a job four months in advance. Sometimes you know about a job four days in advance. It's all different, and my thing is just to try to stay prepared. It's like being a boxer. You never know when you're going to get your next fight, so you have to just stay in shape, mentally and physically and creatively.
I had been secretary of state for eight years, attorney general for four years, lieutenant governor for four years, and governor for four years - I had all these friends around the country - so I thought I could gin up a campaign not for me but against George W. Bush, against his war, against his economic policies, and against his education policies.
You look at the U.S. budget deficit, and you cannot help but feel that this is a serious accident waiting to happen. And not just a serious U.S. accident, but a serious global accident.
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.
They're done by guys who have talked a good game and then have scrambled together the simulacrum of a drama, so actors are habituated to sometimes having to save a picture on the floor because it's usually part of their job, but they'd rather have a writer doing his job, so that they can do theirs. But I like nothing better than working with actors.
I used to get defensive and react. Like you, I get pushed and pulled [backstage].... Sometimes people are rude to me, and I feel like, 'You know, guys, I'm just here trying to do my job....' And the reality is, everyone else is just trying to do their job...and sometimes they get on a power trip [and] you feel disrespected. But that's their problem. It's not my problem.
What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.
I just feel like it's my job to take care of my body. I play a contact sport, 99.9 percent injury rate. As far as being injury-prone or getting hurt, it's going to happen. But it's my job to take care of my body, come week in and week out.
Just because it was multiple ligaments, just because of the trauma of the injury, they compared it to like a car accident. I didn't have anybody to follow, there was no timetable. I could get better, I could not get better. You just don't know. People fear what they don't know. I'm in the dark, and everything is just about faith.
I worked in the pit for more than 20 years and never had a serious injury.
When I first came round in the medical center after my accident, the first face I saw was Ayrton's, with tears in his eyes. I had never seen that with Ayrton before. I just had the impression that he felt as if my accident was like one of his own. He helped me a lot with my career and I can't find the words to describe his loss.
I had a job to take care of my parents, to take care of some bills at the house, because my daddy wasn't working. I had to figure out how to make that all work at one time. I was working at Boston Market... I told my coach, 'I can't play football because I have to make money to help my mom.'
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