A Quote by Vic Reeves

I'm in my studio at 6 A.M. every day because I work better in the morning. Then in the afternoon, I like to go for a walk. I enjoy going for a perambulation or a constitutional. It's all very Victorian.
I work for three or four hours a day, in the late morning and early afternoon. Then I go out for a walk and come back in time for a large gin and tonic.
I have a word quota I try to fulfill every day, and I try to do that in the morning and into the afternoon and then go out with friends at night. I love singing and have lessons and enjoy drama, and so I am involved in that.
I exercise all the time, every morning, and then I do music in the afternoon. I walk two to three miles a day and do Pilates twice a week.
I really enjoy my privacy and being able to walk my son to school every morning and pick him up every afternoon.
I work all day, morning and afternoon, just about every day. If I sit there like that for two or three years, at the end I have a book.
I had this perfect situation where my studio was a three-minute walk away, and every day I would go to the studio. If I had an idea, I could work on it at the highest level possible.
I work in the studio all day, and then I go for a walk with my dog, listening to music on headphones. And Saturday and Sundays, work is strictly out of bounds. It has to be.
My perfect day is to work incredibly well in the morning and write something wonderful, then take the dog for a walk and go for a swim in the ladies' ponds on Hampstead Heath or work in my allotment. Then I get tarted up in the evening and go out in London to dinner or the cinema.
Every day is perfect because there's no other day! As a friend of mine said, "Ride the horse in the direction it's going." When you do that, you realize that every moment, every breath, every sound, every encounter is a gift. You bloody well better enjoy it.
My dad, Winston, didn't say much. He was a very reluctant man. He came home from working at the foundry every day and then he'd go to the bookies, watch cricket on TV or go to the pub. He was like a Victorian dad, really. He didn't have much to do with us kids.
At 10 o'clock in the morning I'd go right in the studio. It feels good to be there in the morning before the day starts to mess with you - I don't mean in a negative way, but before I'd speak to a lot of people or get into anything, I'd go in there and just see what I felt. A lot happens in the morning for me in the studio.
When morning comes, you would better find yourself saying: 'I have so many choices of what to do or what to leave - every morning, every day. I better judge for myself, and - go ahead and do it.'
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
Most of the time throughout my day I like to keep it light. Go to the mall or drop by a friend's house, go talk with my family. And then after that it's studio. Studio is kind of a process. It's like an all day thing.
It's very frustrating making a picture in Paris. We work hard all day at the studio to get a love scene just right. Then, on my way home, I see couples on every street corner doing it better.
It's not like I just have to go to Washington and go to the White House everyday, and go to the same press conference at 10 in the morning and then be briefed at 4 in the afternoon, and then get a story on at 6.
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