A Quote by Vic Reeves
I don't think you should have to defend your actions to people who say: 'You've put some paintings on a wall, and if this doesn't have any deep meaning, then why?' What about the Dadaists? What were they doing? Weren't they just having a laugh with their tin hats?
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I don't think things necessarily should have a meaning. If stuff has a meaning then why do [writing] about it? If you're trying to say, 'Tall buildings are great' why not just leave it at that: "Tall buildings are great."
That's one of the real downfalls of celebrity. You're something that's about you at some point, and that gets latched onto and pumped into the machinery. Then you start having a million other people telling you who you are, and what you should be doing and why, and it's easy to lose your way.
It's easier to keep your stuff then it is to expose it, because some people don't get it. At the cross, at the feet of Jesus, there were some people who said, "Good! I'm glad that you're dead." Then there were some that were crying and saying, "Why are you doing this to this innocent man?" It is not easy to do.
If you think about it, just the psychology of the superhero is, 'Because I can, I should protect people, and I should put bad guys away, and I should defend society.' But you're forming your own justice. There's no judge and jury here: you are it. That, in and of itself, is a very complicated way of looking at morality.
Precocious and eccentric are okay. But I think that people in the arts represent something integral and kind of secretive in everybody else. So the reason people like some artists is because they're saying or doing something that they would like to do or say, but they don't have the balls or the means. People are really afraid to put their ass on the line. Just to put your face on a poster and put your name in big print and say "Come see me," that takes some cojones, you know? Ambition is nothing to be ashamed of.
When your characters are not white hats or black hats but something in between, you do have to be very careful about your details. So, that takes a while. I'm not interested in white hats and black hats. I don't think that's how people are in real life.
Think of life and the world as a wall and that we're all climbing up the wall. So just put one hand in front of the other, keep your eye on the prize, and then get there. And then turn around and help the other people - because you're already there, so start helping.
When I started doing my act, I wasn't married and didn't have kids. I was probably 29 years old. Some people say that's not a kid, but when you're 50, and you look back to when you were 30, you were a kid. You look back on your 30s and think, "I was an idiot!" But I would just do things then I thought were funny. I couldn't have cared less who thought anything about it.
I think there can no longer be such a thing as hitting a wall on a photo shoot. If I ever hear a photographer say to me, 'OK, what else?' I should retire, because that should never happen now having experienced just how much the body is capable of doing.
I always liked paintings to be walls rather than windows. When we see a painting on a wall, it's a window, so I often put my paintings in the middle of the space to make a wall.
I think the goal with any writing, but especially narrative nonfiction, is to put the blockade of putting your thoughts in this unnatural medium of print and then trying to reach through that and actually convey what's going on, what you think, and make people laugh and recognize themselves while doing it. Definitely the laughing thing.
You read about poor people having Botox go wrong and you think: 'Well, what the bloody hell were you doing?' Why would you inject yourself with poison? And why are we spending so much time looking at ourselves? I just don't get it.
I wasn't very ambitious. I think that's the solution. I just took things as they came. I wouldn't say I didn't have any problem, but I didn't care. I didn't think I was going to save the world by doing photography as some of these people do. I was just having a good time doing it, and so I still had a good time no matter what I had to photograph.
Often, I find it really hard to see what I'm doing when I'm in the thick of things. I can get too precious and have to force myself to put my paintings aside. There's a wall in my studio where I hang paintings that I think are done or nearly done. Over time, I'll realise which ones are working and which aren't.
The interesting question is, how do you put yourself in a position so that you can allow ‘what is’ to be. The enemy turns out to be the creation of mind. Because when you are just in the moment, doing what you are doing, there is no fear. The fear is when you stand back to think about it. The fear is not in the actions. The fear is in the thought about the actions.
When I read some of the things other movie people say about their work, I think I'm in the wrong business. I don't have any of those deep thoughts. I'm just myself.
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