A Quote by Vicente Fernandez

I've recorded 25 to 30 songs in a single night, singing five or six takes of each song. I'm very disciplined. — © Vicente Fernandez
I've recorded 25 to 30 songs in a single night, singing five or six takes of each song. I'm very disciplined.
I love working fast. I don't relish the director who wants to do 25 to 30 takes, or the actors who insist on doing 25 or 30 takes.
If I do a song with a chorus and a verse, it takes me about 25 minutes. If I do a song with two verses or stretch out the song, it takes me about 30 to 35 minutes.
When we first started out we only had five or six songs we could play live, so if we ever got an encore, we used to do our cover of City High's 'What Would You Do?' We'd be playing it and people's mouths would be moving singing all the words, but they'd be thinking, Where is this song from? It's such a brilliant pop song but the lyrics are so dark.
I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.
There's one song that I recorded called 'Saviour' and every single sound from that song was actually recorded in a shipyard on my iPhone.
It sometimes takes 6 months or more after you've written and recorded it before you can start to enjoy the experience of singing the song.
Songs bring us into connection with each other. When they resonate, when we're in resonance, singing together, we become one for that 3 1/2 or four minutes the song lasts. It takes away that isolated loneliness that modern life is so full of.
Yeah. My singing and my songs were very influenced by all of that. People would come up to me and ask, Is that a Billie Holiday song? I'd say, No, it's my song. The lyrics would be in my style, but the songs would be very jazzy.
That's very hard because there's three of them that mean a LOT to me equally. 'Lissie's Heart Murmur' was one of the first songs that we ever wrote - it was one of the first songs, at the very very very beginning of our band and I've always wanted to see and hear that song recorded and turned into something and it finally was and is!
I recorded harp first or singing first. I recorded it all together. Part of the reason is that I don't know how to play the songs without also singing. I forget how they progress. I don't think that any of them are verse, chorus, verse, and so on. They are not simple.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
Every single song I've ever written is sung by a character created by somebody else. Some might have a jaundiced view of love, some don't. But none of these songs is me singing - not a single one.
Every single day I wrote a song, I was hoping somebody like Luke Bryan, Jason Aldean or whoever would record the song. It's tough to do because there are so many great songwriters in Nashville, and I was lucky enough to get some songs recorded before I got my record deal.
It always cracks me up when program directors or music directors or companies will say, 'Well, we did research, and we interviewed 25 people in our focus group, and this is what they said.' And I'm like, 'I've talked to 25 people in two hours! I talk to 50, 60, 70 people a night! Five or six days a week!'
There's a few kids out there who like singing to my songs. They're, like, five, six, seven years old.
I try to write five or six songs each year and not just in one genre.
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