A Quote by Vicente Fernandez

With the education I had, all I could do was work as a burro, in whatever I could find: shoeshine boy, janitor, dishwasher, waiter, bartender, cashier, bricklayer, painter.
In leading-edge companies like Google and Apple, workers are given much freedom and opportunity to play. They know that's an important component of creating new and better products. I believe that at whatever level of work, cashier at a supermarket, janitor at an airport, aide in a cubicle, the addition of a playful attitude makes the job better and the work more enjoyable. A cashier or janitor who smiles and is friendly gets a better response than a surly one.
Oh I'm in love with the janitor's boy, And the janitor's boy loves me; He's going to hunt for a desert isle In our geography.
My cousin Joe was just the coolest kid and I wanted to be like him. He had girls, could do whatever he wanted and he was a bricklayer, so I decided to do that.
Before I made it big I worked as a dishwasher, washing dishes in this place called Dishwasher House where people could just come in and do whatever they wanted to the dishes and we had to clean them with our hands till they bled. A lot of struggling actors worked there-Downey Jr., Joaquin Phoenix, Damon Wayans, Marlon Wayans, Keenen Ivory Wayans-and we actually all kind of wish we still did.
I was a good bartender. I wouldn't say I was the best bartender in New York, but I could hold my own.
When I was a waiter, I wanted to be the best waiter I could be and worked to be better at it every day.
I was really close to my father since I was young. He always told me that I had to work in order to become a man, so I had to stay with him when my mother left. He always took me to work to help him as a bricklayer. I was just a kid, so I did what I could do to help him.
I could do whatever I liked to do during the day. I didn't have to work in an office. I could work at home. I could work at my leisure. I worked 'til four in the morning. I worked with the TV and radio on - it was a great setup. I was a night person and still am.
My work as a painter has always been tied to Modernism. I read everything I could find related to art, from Paul Cézanne through the 1950s.
There was a whole language that I could never make function for myself; it revolved around words like 'tortured', 'struggle'. 'pain'.. .I could never see these qualities in paint - I could see them in life and art that illustrates life. But I could not see such conflicts in the materials and I knew that it had to be in the attitude of the painter.
The painter... will find [photography] a rapid way of making collections of studies he could otherwise obtain only with much time and trouble and, whatever his talents might be, in a far less perfect manner.
I figured out that I could think of my childhood dog that had died, and I could bring myself to tears. So I used that poor dead dog for several years until it just didn't work anymore, and I had to find something else.
I was an amazing bartender and a great waiter. I think, in a way, that was my acting school.
She had observed that the more education they got, the less they could do. Their father had gone to a one-room schoolhouse through the eighth grade and he could do anything.
I like, for instance, 'Serpico.' I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could - I could embody him. I could, you know, I could work and get to know him and have him help me with the text, the script and become him. It's almost like a painter having a model to become.
The Greek tragedies and comedies are like a roadmap to all the ways in which trying to live this rich, full life can go wrong. You could get into a war. You could find that you have members of your family on the wrong side of a political crisis. You could be raped. You could find that your child has gone crazy because of some horrible experience she's had.
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