A Quote by Vicki Lawrence

Tim Conway was a little different from the rest. He was always in the back of the studio building something with the prop man, rewriting his lines, or plotting our demise.
Frank Capra was a prop man, I think. John Ford was a prop man. It was a little bit of a father and son thing, and you kind of worked your way up.
Conway Twitty was always our local hero while I was growing up. He had a series of good bands. I wanted to sit in, if Conway would let me. And he did a couple of times.
I always think of it you know building a business, building a brand, a friend of mine gave me a metaphor for it which I think is really true it's like building coral, you don't see it happening it's just little little little and when you step back you think wow.
One of the high points in my career came from a time I had with Tim Conway on a film when I had him fall down with laughter. I had this scene with him where I was this mechanic down fixing his car. I can't remember what my line was as written, but they were okay with me doing a made-up line. So Tim asks me what's wrong with his car, and I look up and say, "Well, looks like you got a squirrel caught up in there."
My kind of childhood comic ideal was Tim Conway. And just because I always loved that he could do so much without saying anything and just his physical comedy. I'd love - I mean, that would be kind of a dream to have him come on and be able to act across from him.
I do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.
In practice we always base our preparations against an enemy on the assumption that his plans are good; indeed, it is right to rest our hopes not on a belief in his blunders, but on the soundness of our provisions. Nor ought we to believe that there is much difference between man and man, but to think that the superiority lies with him who is reared in the severest school.
I did a couple songs with this hip-hop guy named Tim Dark. He was working in the same studio I've been working in, he heard my music and he said, aw man, I've got to do something with you.
Tim also has enough confidence so that it always looks like a Tim Burton film, but it really is collaborative. You're allowed to do it your way but of course he's always going to choose his way.
An officer should never speak ironically or sarcastically to an enlisted man, since the latter does not have a fair chance to answer back. The use of profanity and epithets comes under the same headings. The best argument for a man keeping his temper is that nobody else wants it; and when he voluntary throws it away, he loses a main prop to his own position.
Tim Thomas is about excuses. It's always somebody else's fault. He said I was jealous? He should thank me for helping him get that contract. He said I didn't show? They traded me, they traded Ray, they traded Big Dog [Robinson] and Tim Thomas still wasn't the man on that team. Michael Redd became the man there. I think I'm doing quite well for myself here. Right now, he needs to focus on his game. Right now, he's not a good basketball player. And I like Tim Thomas. He just has too many damn excuses.
In each studio there is a human being dressed in the full regalia of his myth fearing to expore a vulnerable opening, spreading not his charms but his defences, plotting to disrobe, somewhere along the night-- his body without the aperture of the heart or his heart with a door closed to his body. thus keeping one compartment for refuge, one uninvaded cell.
[Barack] Obama can draw lines for himself and his country, not for other countries. We have our red lines, like our sovereignty, our independence, while if you want to talk about world red lines, the United States used depleted uranium in Iraq, Israel used white phosphorus in Gaza, and nobody said anything. What about the red lines ? We don't see red lines. It's political red lines.
I always wanted to be an actor, even when I was a little kid. When I used to run away from home, I'd go to movies and sit all night watching Kirk Douglas. When I was 16, I tried getting into the Actors Studio, and they told me to get lost. I said 'I'll come back when I'm a man,' and I came back when I was 30.
I'm just like the rest of the guys. I'm a little different in a lot of ways, but I'm still a player with a number on his back and if I'm unable to produce, they'll find somebody else to fill my spot.
We are committed with our lives to building a different model and a different future for humanity, the Earth, and other species. We have envisaged a moral alternative to economic globalization and we will not rest until we see it realized.
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