A Quote by Vicki Lawrence
Anybody who has spent time with the networks - in fact, you don't even have to spend time with the networks, all you have to do is just watch primetime TV - and you think, 'What the hell are they doing? I could run the network better.' And I think everybody feels that way.
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BitCoin is actually an exploit against network complexity. Not financial networks, or computer networks, or social networks. Networks themselves.
I think everybody else in Hollywood, including network execs, has the opportunity to ask for a raise or a change in scenery in a much shorter time frame than actors. But I do think the networks have to protect themselves.
I actually think there's a potential, a crazy potential, that network TV could become something valuable and worthwhile, just because of fear on the part of the networks.
If you can't get your core audience to watch the show, it's very hard to then pull in enough people outside of your fan base to your network. The networks are just so branded now; USA can't really do a dark despairing drama and FX can't do a blue-sky show. People watch the networks they watch.
If you want to get into the United States, the best way, I believe, is to ride the network. There is no convergence between, say, the criminal networks and the Islamic extremist networks.
It is the spread of the good things that vindicates the whole reason we live our lives in networks. If I was always violent to you or gave you germs, you would cut the ties to me and the network would disintegrate. In a deep and fundamental way, networks are connected to goodness, and goodness is required for networks to emerge and spread.
The structure of the human brain is enormously complex. It contains about 10 billion nerve cells (neurons), which are interlinked in a vast network through 1,000 billion junctions (synapses). The whole brain can be divided into subsections, or sub-networks, which communicate with each other in a network fashion. All this results in intricate patterns of intertwined webs, networks of nesting within larger networks.
In a sense, communications networks can be defined entirely by who has cryptographic keys, and I think a lot of networks will work that way in the future.
Everyone talks about reality TV and that there are no roles left. That's false. Years ago, there were three networks. Now there are 20 cable networks and so many ways for films to be exhibited. It's an exciting time for actors, writers, directors, and producers.
The TV Everywhere structure is good for all cable, satellite, and telephone distributors. It's good for all networks. It's good for studios that sell to networks, so it's basically good for everybody on the business side.
The way that we're consuming what we watch. Netflix, binge-watching, destination agnostic were not terms. It was about networks, times, dates. Even with feature films, you had to see it this way, in this capacity, at this time. All that has changed. Now it's really about the story. It's a gift that I became a storyteller at this time.
When he came to television, there was no way I wasn't going to watch. Of course, he delivered everything that you would expect David Lynch to deliver, and more, and he was doing it in primetime network television. Even as a 14-year old, I wanted someone in the room with me that I could look over and say, 'Can you believe we're watching this?'
Every prime minister has a whole series of networks, and there are official formal networks and there are unofficial informal networks. I'm lucky in that I have good official formal networks, starting with my own office, the leadership group, the cabinet and the party room.
Just because we say networks are important doesn't mean that networks explain everything. We're just adding additional information. Networks don't work like a match - they work like a magnifying glass.
Every year, the Friday before the new Saturday-morning shows would premiere, the networks would do this big preview special, and I was always glued to the TV. As horrible as they were, they were entertaining at the time. There was a lot of showmanship from the networks based around the new lineup.
How do you do something where you're able to be specific and edgy enough to compete with what the cable networks are doing and, at the same time, appeal to a broader audience? That's the line that everyone in network television is trying to tread.
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