A Quote by Vicki Pettersson

There’s something about seeing an adult you knew in childhood that makes them marginally vulnerable to you, and vice versa. There’s also something comforting in thinking that if they made it this far, relatively unscathed, then maybe you didn’t turn out half bad either.
Nothing is more debilitating than to care about something you can't do anything about. And you can't do anything about your adult children. You can want better for them, and maybe even begin to provide something for them, but in the long run, you cannot do anything about someone else's vibration other than hold them in the best light you can, mentally, and then project that to them. And sometimes, distance makes that much more possible than being up close to them.
As far as what makes a viral video, then it's gotta be something that you've either never seen before, a fresh piece of comedy, or something that relates to something topical.
Everything is an idea for something, something that touches the imagination, a fact that seems relevant or maybe just a statement I find interesting — either because it resonates or because I disagree. All of it is fodder for continued work or thinking on the topics. It’s also important to me to record the ideas that my instincts tell me are bad.
I just really want to put the past behind me, because it makes me angry thinking about it. But it's also the reason I've made it this far in my career. It's like, built up in me. It's what I think about when I fight. My childhood.
If I think of something, half-way into it, I can throw it in there and it won't be so far down the line that it would be insignificant. However, I also like to completely focus on something for a certain period of time, and then be able to move on to something else.
What I love about making movies is that it's a collaboration. It's one of the most rewarding things, to create something and have someone show you something that you didn't see, and vice versa.
I always felt like I could participate at the adult table, but I also knew that if you're going to make an argument about something, you better have something good to say.
When I'm happy, when I'm enjoying life, I'm home, I'm surfing, I'm spending time with my wife, my friends and I'm not thinking about the pain. And then the moment I encounter something that feels difficult, I feel like that's when, for me, I turn to writing and thinking and maybe a song comes from that.
If I was in a bad mood, then maybe I won't talk about it, but you're going to know about it somehow. If something was bothering me, maybe I would have acted a little bit like a child, meaning I go break something in a room.
I wrote about 22 plays before 'When You Cure Me,' which was staged in 2005. I occasionally get them out and have a read, thinking maybe there's a thought or an idea or even a turn of phrase that I could use for something new. There's not. They're dire.
It's certainly easy for me to make a fictional character mad about something. I can get them angry about something that I'm relatively indifferent about, just because I'm not educated on it, if I go to someone who is educated about it and is passionate about it. I find a point of fiction and then give it to them.
I hope they get something of interest out of it, but I'd rather they all hate it and I like it, instead of vice versa... I make films to please myself first, and if the audience likes them, all the better.
There was something immensely comforting, I found, about a crumpet - so comforting that I've never forgotten about them and have even learned to make them myself against those times when I have no other source of supply.
I found my mind has changed over the last years. Different vulnerabilities - things that I was never vulnerable to before I am now. And vice-versa. Things I was vulnerable to then are like water off a duck's back. I have a lot less fear. I think I'm getting more determined.
My relationship to images is always in flux... Photos I think are great can turn out to be not so interesting five years later, and vice versa. I've learned there's no thing as a bad photo - every one is a personal record of a time and place.
I always knew I wanted to be on air and travel the world and tell people's stories. I wanted to convey something from other cultures to the U.S. - and vice versa.
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