A Quote by Vicky Kaushal

I did not have any inclination towards cinema. The atmosphere at home was not filmy, and we would never discuss anything related to films. — © Vicky Kaushal
I did not have any inclination towards cinema. The atmosphere at home was not filmy, and we would never discuss anything related to films.
I am drawn more towards Russian films owing to their compelling camera work, because of my own inclination towards cinematography.
My mother never told me anything, she is just concerned about my happiness. She only watches my shows, not my films. In fact, we never discuss films.
I've known Venkatesh Maha since 2015 and we often discuss several things related to cinema and filmmaking.
The voice of reason is more to be regarded than the bent of any present inclination; since inclination will at length come over to reason, though we can never force reason to comply with inclination.
I am on good terms with whoever I have worked with. We never discuss films. We discuss life and what we had for lunch!
Some theatres back home used to screen arthouse films by Adoor and Shyam Benegal, and week-long festivals of films from France, Germany and the U.S.S.R. That was when I realised there was a world where people did not run around trees singing duets. That it was possible to make a different kind of cinema.
Actually I don't watch a lot of films but when I do, I like experimental, avant garde, European and world cinema. That is the language of cinema I am drawn towards. I don't watch much Hollywood or Bollywood.
While I did not get any formal training in acting, every summer vacation, from the age of five, my father would take me to Ooty with him, and I would do films as a child star. I did over 10 films like that, and it was understood that post finishing my education, I would become an actor.
I like normal girls. When I come home, I don't want to discuss films; I want to discuss what her world is like and other things.
My father was a mean, controlling and manipulative person for most of his life. He was unpredictable and unstable. As a result, the atmosphere of our home was super-charged with fear because you never knew if what you did would make him mad or not.
I'm working in a form of cinema that can be described, and has been described, as a diaristic form of cinema. In other words, with material from my own life. I walk through life with my camera, and occasionally I film. I never think about scripts, never think about films, making films.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
Because I was a kid from north of England, the only films I had access to was not alternative cinema, which in those days would be foreign cinema; I would be looking at all the Hollywood movies that arrived at my High Street.
All this while when I was not seen in Hindi films, I did a lot of regional cinema. I was a part of various Gujarati, Punjabi and Bhojpuri films.
I would not have made any of my films or written scripts such as Taxi Driver had it not been for Ingmar Bergman, What he has left is a legacy greater than any other director.... I think the extraordinary thing that Bergman will be remembered for, other than his body of work, was that he probably did more than anyone to make cinema a medium of personal and introspective value.
Basically, I have always wanted to have an art-house cinema. A cinema where we can show films that are not necessarily the current offerings on circuit and films that are not commercial.
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