A Quote by Vicky Kaushal
Me and my brother Sunny never had the enthusiasm of visiting a film set or going to a screening or attending parties and meeting actors.
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Not only do I look at the playback with the actors, but I look at the on-set assembly footage with the sequences with my actors as well. These are the reasons why I take twice as much time to shoot a film in Korea. Thinking back, I remember on my first ever Korean film, I never used any playback or on-set assembly, so all I had to do was to tell myself it's just like making my first ever Korean-language film. After that, I felt right at home.
The idea is to be different with every film, and I'm glad my mother and my brother, who were sitting besides me during the screening of 'Ek Villain,' forget it was me on screen after the first 15 minutes.
Well, a special screening was set up for government officials, so they didn't have to see the experience of going to see the film. They certainly aren't going to the projects to see for themselves the situation.
To go into more specifics regarding actors, whether they're from Korea or the U.S., all actors know if they are loved by the director. When they feel that love from the director, they respond by giving a great performance on camera. Also, everyone on set - the crew, the actors - they were aware of the film's message and its broad theme, so these big issues were never discussed on set.
I am not going to approve the home-screening format for my film just carte blanche in lieu of a theatrical screening when I cannot trust that it will ever be seen in the format that it's intended to be.
At the first screening, there were a lot of areas that we went around and around about. Then we had our second screening. It played better. It's almost a reasonable length film now!
When I stepped out from doing films and had a dark period, I never did anything dark on a set, so I never made enemies on a set. I never was a bad girl on a set; I always considered films a really sacred space, so when I had my problems, I had them very much away from the film community.
I go for a couple of parties; you won't find me at every film party and never at award ceremonies. I tried attending for the first three to four years, and I've performed at award shows. I sat in them, and I've also exited pretty fast from them. It's just not my place. I'd rather get their adulation in a cinema hall.
There are lots of variables that come into play in the industry, like attending parties and dating actors. When you don't indulge in all this, you tend to get affected in some way.
Nothing drew me to the film business. I was propelled by the fear and anxiety of Vietnam. I had been drafted into the Marines. My brother was already serving in Vietnam. I bought, if you will, a stay of execution - both literally and figuratively - and went on to graduate school of business from the law school that I was attending.
Film is more of a dream when you're younger. I found it almost impossible to see how you would get into the industry having no connections, nobody in the family being anywhere near it and never meeting anybody that had been on a set.
Some people advocate public nomination and a three-track system - allowing voters and political parties to make nominations along with the committee. These people do not want any screening of candidates, but they have not clearly defined the concept of 'screening.'
The first time I met my father was when I was 25. I was visiting here in Los Angeles, I had not moved here yet. And he came down to meet me. It wasn't emotional, it was like meeting a stranger.
I like to spend time with senior actors before going on set to break the ice. On set, I just look at them as co-actors.
Going to parties usually makes me feel depressed, just because I have such social fear after meeting people.
I have almost forgotten that I have a relationship with film industry as most of the time political meetings, attending Parliament and meeting people of my constituency has been consuming my time.
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