A Quote by Vicky Kaushal
If I have done a role that's taken me to a certain space emotionally, I won't repeat that; I would rather do something now that taps into something else in my psyche... maybe something that makes me nervous.
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If something comes around that would be a challenge, then that would be wonderful. But if it's a watered-down version of something I've already done, I'd rather do something else.
To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize. So if I do something, it just has to be something I love and I don't want anyone else to do. When I open projects, maybe something will appeal to me. I think I'm not opening them because I don't want anything to appeal to me right now.
I'm searching for the perfect swing. I'm searching for something that's not there. I tried twetny different things today and nobody else out there would have done that. This game is too tough. If I'd have known, I'd have taken up tennis or something. I have a chance. But if you're a betting guy don't bet on me.
I think that usually I'm just drawn to something that's different from something that I've done previously. Whatever makes me feel something. Whatever makes me excited and connected to it.
The hardest thing for me to do, and the best thing I've done and learned as an actor is to sacrifice being funny in certain circumstances in order to do something that makes sense for the story or the character, or emotionally.
Pray don't talk to me about the weather, Mr. Worthing. Whenever people talk to me about the weather, I always feel quite certain that they mean something else. And that makes me quite nervous.
Of course we all have our limits, but how can you possibly find your boundaries unless you explore as far and as wide as you possibly can? I would rather fail in an attempt at something new and uncharted than safely succeed in a repeat of something I have done.
I play these [folk acoustic] concerts and I ask myself, 'Would you come see me tonight?' - and I'd have to answer truthfully, 'No, I wouldn't come. I'd rather be doin' something else, really I would. That something else is rock... The words are pictures, and the rock's gonna help me flesh out the colors of the pictures. (1965)
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
Working with different people and do things that normally I would not do makes the music interesting for me to continue. It keeps me alive. When I'm doing something alone, that is mine, I know how it is. But when I'm working with someone else, I also see the view from the other, and usually learn something new, try something different. This is very important to my happiness.
I'd love to do something where I have to completely transform. Or something that is very physical and would test me with discipline in that way. Something that I'd maybe have to train for.
What I would say to anyone who wants to be a model is, have something else. This shouldn't be your be-all and end-all in life: there are so many other amazing things to be done in the world. I also think that the industry really celebrates a woman who does something else. So keep at it, but always have something else.
It's instinctive in a certain kind of painting...It's like a nervous system. It's not described, it's happening. The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.
Advice from my experience, for me, I've never taken no as an answer, I don't believe in that. If I want something, I'm going to get it. When people tell me that I can't do something, it just motivates me more. For me, it makes me smile, because I just want to prove everybody wrong.
How do you top 'Mormon?' I get sent scripts all the time and I don't know what I would do next. What do you do after that? So I think if you do see me onstage, you'll see me in something dramatic, maybe, or you'll see me try my hand at something else. Perhaps fail, terribly, but try.
I'd love to do anything that is outside of my comfort zone, that I've never done before. Whenever I think about something that I want to take on, I like it if it makes me a bit nervous, or makes me feel like I don't know exactly that I can pull it off.
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