A Quote by Vicky Krieps

I wasn't a girl who grew up wearing dresses, but I was always attracted to fabric. When we'd go to a shop, the fabric I'd pick was always the most expensive. It was always the silk or cashmere. It was something in me, that desire to choose quality. It's the same now.
My mom was always making me clothes. We'd go to the fabric store, pick out patterns, and it was a creative process. I heard that word a lot growing up: creative.
I was literally the last Jazz player left who played under Coach Sloan - and I always took that as a lot more than just some piece of trivia. That was something that truly made me feel like a part of the fabric of this franchise. And that fabric is something that has meant a lot to me, ever since.
I was always a mad scientist type - an inventor and just a generally inventive person, and that has remained the same. But one thing that *has* changed is that I've always been aggressively pro-business, with the mentality that whoever pays me, gets me - but now, I'd rather be broke than contribute to destroying the world my son is inheriting - both the social fabric, and obviously the environmental.
I grew up on the beaches, and I always found it kind of funny that it's considered decent if you cover three tiny spots with pieces of fabric.
Quality is the result of a carefully constructed cultural environment. It has to be the fabric of the organization, not part of the fabric.
We are individual designs in the fabric of life. We have our own integrity, but simultaneously we are part of the fabric, connected to and defined by the whole. Community is the human dimension of that fabric.
I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late '50s and early '60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
My father was very funny, so I grew up with humor in the house. And I was always really attracted to comedies on TV. I was always really attracted to comics.
Some of my biggest complaints about acting in television were that I was always wearing a tight dress or pencil skirt, and I was always wearing heels. I thought, "This sucks! Why, because I'm a woman, does it mean I always have to wear this same outfit and this same hairdo, and spend the same two hours in hair and make-up, and the guys get to be there two hours after me?" I remember being mildly offended by that.
From when I was a really small girl on, I would pick every fabric, every color on the walls, and I was always redecorating. Like once every couple of months I would redecorate my room. I had a full wall that was all collage - the entire wall - when I was in junior high. And then it would kind of morph with me as I was growing.
I grew up in South Africa and I would look at maps and we were at the bottom of the world. There was this whole thing up there. I was always reading encyclopedias about the world. So travel was something I was always attracted to.
It's all about the quality of the fabric, how soft it is and feeling comfortable in what you're wearing.
It is the government's strong desire to empower this fabric, this social fabric of our society where faith-based programs large and small feel empowered, encouraged, and welcomed into changing lives.
I've always been attracted to the 'don't follow the rules' type of girl, the rocker girl. I've always been attracted to somebody who you can lose yourself in the moment with. You can hang out with her, and it's like you're the only two people in the room.
The really great thing about my shop is that there's not one dead animal in it. ... Manolo's got a load of fabric shoes as well! We use plastic, fabric, rubber- anything but leather. I almost feel like I've been put here to show everyone that it's unnecessary.
Fabric is the most extraordinary thing; it has life. You must respect the fabric.
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