A Quote by Vicky Krieps

It was like putting your foot into a pond and knowing that I wanted to dive into this. It wasn't even just acting. It was this medium, film. I had to explore it. — © Vicky Krieps
It was like putting your foot into a pond and knowing that I wanted to dive into this. It wasn't even just acting. It was this medium, film. I had to explore it.
When I started acting, I had a really strong discipline of knowing that you had to be on time, knowing that you had to work 12 to 16 hours a day, knowing you had to be prepared, knowing you had to be ready, and it's very interesting because if you're an artist and you're creating, you can work very, very long hours but as you're putting out that love of creation, it's almost like you're charged by it, you're charged by the process of it.
It wasn't until I was in college that I even realized how much I loved film and started to appreciate acting, this beautiful medium of artistic expression. All I wanted to do was go to college, and I thought I wanted to be a teacher.
What is sexual in a high heel is the arch of the foot, because it is exactly the position of a woman's foot when she orgasms... So putting your foot in a heel, you are putting yourself in a possibly orgasmic situation.
I have had a hard time settling on one medium and feel like a dilettante at times, taking up one medium and then wanting to learn to work in another. At age 76, I really don't have the time to settle down to one medium when there are so many avenues to explore.
You just want to keep going, keep putting your best foot forward, keep putting one foot in front of the other.
You don't dive for specific solutions; you dive to enliven that ocean of consciousness. Then your intuition grows and you have a way of solving those problems-knowing when it's not quite right and knowing a way to make it feel correct for you. That capacity grows and things go much more smoothly.
I had been acting since I was a kid. I had done 35 plays in New York before 'Serious Man,' but you never know what putting one foot in front of the other is going to do.
Film as a medium, like a novel as a medium, possesses a unique ability to communicate. Film is capable of communicating in a way that no other medium can, and I would say the same for the novel.
There's even one for your titties. I haven't done the boobs mask one yet-you just stick it on your tits, apparently. I have to try it. But I did the foot one and the hand one yesterday, and it makes my skin crazy. It's like I just had sex for four days.
I always have a rule that acting is acting and truth is truth and you just go out there and you do it. But what happens in each medium is that you have other responsibilities. The acting remains the same, but each medium dictates assuming other halves to make the acting work.
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world. You're just trying to make a love letter, a gift.
Film is a temporal medium as much as it is a visual medium: you're playing with time, and you don't have that ability where someone can pause at home. That's such a fundamental part of what makes filmmaking exciting to me. I don't really have as much interest in any other medium. I just like the control.
'Masoom' was like a picnic for all of us. We kids just wanted to have fun acting in the film. We never realised when the film was completed. When we did, we realised the party was over.
....success in walking is not to let your right foot know what your left foot doeth. Your heart must furnish such music that in keeping time to it your feet will carry you around the globe without knowing it.
Film is an emotional medium; it's not a logical medium. It's not an intellectual medium, so every decision you make as a filmmaker and an actor has to be emotional in some way, even in the rejection of logic.
I worked with my acting coach one-on-one for hours and hours, every single day for two months, before even setting foot on set or putting on Jessica Jones's clothes.
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