A Quote by Vicky McClure

I know that people who have been to RADA and LAMDA can smash accents and do Shakespeare: all those things that I never really trained in. — © Vicky McClure
I know that people who have been to RADA and LAMDA can smash accents and do Shakespeare: all those things that I never really trained in.
I don't relate to people that look like me. I find it deeply unsatisfying to play a version of myself. It was something I had to figure out really early on, when I was at RADA, because I was being cast, over and over again, as the young, virginal thing. When I left RADA, I was on an absolute mission to never wear make-up.
I trained at RADA, then went into the theatre, but TV is like starting at the bottom again. I have just been learning.
The fact that I am not formally trained never really bothered me. There were times I knew it could have been a brownie point, had I been trained, but it never pulled me back.
I can do Shakespeare, Ibsen, English accents, Irish accents, no accent, stand on my head, tap dance, sing, look 17 or look 70.
I'd never gotten to do an accent for anything that I've done, so that was really appealing because I love doing accents. Ever since I was a kid, I made it my business to try to mimic foreign accents, so it was really fun to be able to do that. I was really working on the accent to try to make it really good.
People are very ready to criticize other people's accents. There's no correlation between accents and intelligence or accents and criminality, but people do make judgments.
A lot of people have a fear of Shakespeare. Even actors do. People are like, "Oh, I won't go and see Shakespeare because the language is so hard," but it is. When you read it on the page, you go, "What?! What does that mean?!" If you go to a Shakespeare play and you've never been, you sit there and go, "I'm an idiot! I don't get it!"
I feel like I turned down a lot of things that I wish I hadn't. But you never know when you're younger. I don't have regrets about certain things I turned down. Those films would have required things of me that would have been challenging, and they ended up being really good movies. But I was never a careerist, I never thought in those terms. I'd be like, "Oh, I'm tired. I don't want to work."
People assume that I'm very highly trained, that I studied and did years and years of Shakespeare. I have no training whatsoever and I've only done one Shakespeare play at university. If people want to believe that, I'm happy to go along with it.
As someone who's never been musically trained, I am sort of used to being in a position where I have to kind of do things on the fly because I wasn't trained as an actor, either, and I've very much learned on the job.
I'm into parlor dramas. I'm into theatre. I'm trained for the stage. I trained to do Chekhov and Shakespeare, I was trained for the stage.
I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.
I'm never on Twitter. I'm never on Instagram. And that's not by choice: it's just that those things never really interested me. I might post a picture here and there, but that ain't really been my focus.
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
I don't think confidence has ever really been one of those things that came naturally for me. If people thought I was confident, it was really just the way I masked my insecurity, because I didn't want people to really get to know the real me.
I am one of those people that's never been really cynical about life, you know.
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