A Quote by Victor Banerjee
Perhaps it is that great suffering is necessary to produce great art.
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It should be quite clear that it is possible for unpleasant people who are small in various ways other than in their artistic genius to produce great art. Art and morality have no necessary connection.
Feminist art is not some tiny creek running off the great river of real art. It is not some crack in an otherwise flawless stone. It is, quite spectacularly I think, art which is not based on the subjugation of one half of the species. It is art which will take the great human themes -love, death, heroism, suffering, history itself -and render them fully human. It may also, though perhaps our imaginations are so mutilated now that we are incapable even of the ambition, introduce a new theme, one as great and as rich as those others -should we call it joy?
While I generally find that great myths are great precisely because they represent and embody great universal truths, the myth of romantic love is a dreadful lie. Perhaps it is a necessary lie in that it ensures the survival of the falling-in-love experience that traps us into marriage. But as a psychiatrist I weep in my heart almost daily for the ghastly confusion and suffering that this myth fosters. Millions of people waste vast amounts of energy desperately and futilely attempting to make the reality of their lives conform to the unreality of the myth.
The discipline of suffering, of great suffering- do you not know that only this discipline has created all enhancements of man so far? That tension of the soul in unhappiness which cultivates its strength, its shudders face to face with great ruin, its inventiveness and courage in enduring, preserving, interpreting, and exploiting suffering, and whatever has been granted to it of profundity, secret, mask, spirit, cunning, greatness- was it not granted to it through suffering, through the discipline of great suffering?
I do not feel any artist can produce great art without putting great personality into it. It is always a piece of you that goes on the screen or the canvass.
Great editors do not discover nor produce great authors; great authors create and produce great publishers.
And why are you so firmly, so triumphantly, convinced that only the normal and the positive--in other words, only what is conducive to welfare--is for the advantage of man? Is not reason in error as regards advantage? Does not man, perhaps, love something besides well-being? Perhaps he is just as fond of suffering? Perhaps suffering is just as great a benefit to him as well-being? Man is sometimes extraordinarily, passionately, in love with suffering, and that is a fact.
There will still be things that machines cannot do. They will not produce great art or great literature or great philosophy; they will not be able to discover the secret springs of happiness in the human heart; they will know nothing of love and friendship.
The need to be a great artist makes it hard to be an artist. The need to produce a great work of art makes it hard to produce any art at all. . . Fear is what blocks an artist. The fear of not being good enough. The fear of not finishing. The fear of failure and of success. The fear of beginning at all.
Against expectations I was charmed by Gehry's Edgemar development, which housed the Santa Monica Museum of Art, and positively awed by the Bilbao Guggenheim. That Gehry is a great artist I have no doubt, but talent and determination are no warrant against confusion, nor are they a guaranty to produce great art.
The need to be a great artist makes it hard to be an artist. The need to produce a great work of art makes it hard to produce any art at all.
But not to perish from internal distress and doubt when one inflicts great suffering and hears the cry of suffering : that is great, that belongs to greatness.
Sometimes it's good to get mad, sometimes it clarifies where we stand. I think that art has the ability to challenge and push, and that's great. That's better than great... it's necessary.
Like great art, something essential dies when great jokes are explained. So what's the key to telling a good joke/creating great art timing.
Prayer is a fine, delicate instrument. To use it right is a great art, a holy art. There is perhaps no greater art than the art of prayer. Yet the least gifted, the uneducated and the poor can cultivate the holy art of prayer.
Great Art is Great because it inspired you greatly. If it didn't, no matter what the critics, the museums and the galleries say, it's not great art for you.
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