A Quote by Victor Banerjee

The worst thing is that filmmaking is an expensive medium and money corrupts cinema right at the beginning. — © Victor Banerjee
The worst thing is that filmmaking is an expensive medium and money corrupts cinema right at the beginning.
Movies are a commercial medium. We don't make movies to impress our friends and critics. It's an expensive medium. We have to gain money from it.
I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.
Narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verité is film in its purest form. You're taking random images and creating meaning out of random images, telling a story, getting meaning, capturing something that's real, that's really happening, and render this celluloid sculpture of this real thing. That's what really separates the power of doc filmmaking from fiction.
Cinema is a creative medium. The director has the right to express.
Film is a temporal medium as much as it is a visual medium: you're playing with time, and you don't have that ability where someone can pause at home. That's such a fundamental part of what makes filmmaking exciting to me. I don't really have as much interest in any other medium. I just like the control.
Money is the worst currency that ever grew among mankind. This sacks cities, this drives men from their homes, this teaches and corrupts the worthiest minds to turn base deeds.
I think theatre is an actor's medium, while cinema is a director's medium.
Never in the history of cinema has a medium entertained an audience. It's what you do with the medium.
Hollywood is a town; it's not a medium. And cinema is a medium you can practice anywhere.
Cinema is not just a medium of entertainment. Yes, it should entertain, but cinema is made to convey a message, to say something.
If you really spend time with movies, it's three years of your life from beginning to end. I started out planting the seed with 'Monster's Ball' about independent cinema and raising money and that whole thing as a producer, and then it becomes easier for me.
There's a way in which filmmaking is a director's medium and television is a writer's medium, so even as TV gets more cinematic, it's still guided by the writer.
I took to cinema because I found cinema was the medium for what I wanted to say through 'Shutter;' it was something beyond the scope of a play.
I feel that cinema can't change society or bring a revolution. I'm also not sure of cinema as a medium of education. Documentaries can be educative, not feature films.
To this day, I still haven't touched one dime of my signing bonus or NFL contract money. I live off my marketing money and haven't blown it on any big-money expensive cars, expensive jewelry, or tattoos and still wear my favorite pair of jeans from high school.
It is probably true that business corrupts everything it touches. It corrupts politics, sports, literature, art, labor unions and so on. But business also corrupts and undermines monolithic totalitarianism. Capitalism is at its liberating best in a noncapitalist environment.
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