A Quote by Victor Borge

Many people have asked me why there are three pedals in these grand pianos. Well the pedal in the middle is there to separate the two other pedals. — © Victor Borge
Many people have asked me why there are three pedals in these grand pianos. Well the pedal in the middle is there to separate the two other pedals.
I have a love of gear and pedals, from old pedals to new ones with new sounds. If I get depressed, I start looking for a certain type of pedal, learn the history, who and what it was made for, that kinda thing.
There are lots of really good guitarists, but they play with the same pedals that everybody else does. Everybody buys the same pedals, so the sounds tend to be the same. I am looking for different ways of doing that without having to spend days and weeks and months fooling around with pedals, which I don't enjoy.
I heard Mr. Wild Bill Davis. I heard him play in 1930 and he told me that it would take me fifteen years just to learn the pedals, the pedals of the organ and I got mad.
I've really gotten over pedals. I can't keep up with this craze of boutique pedals that make you sound like everything but your guitar. I can't get my head around it.
In my touring rig, there's a pedal drawer, where I'm able to switch pedals in and out, going into the front of the amp.
I'll have a chorus pedal or a flanger or an echo, that kind of thing. But as far as specific pedals, the one that's really been a mainstay is the TC Electronic MojoMojo.
You have to push on both pedals to make the wheels go 'round. Similarly, you need faith in Christ as well as knowledge. The problem is that there are always Christians who want to push one pedal - either knowledge or experience. We need both.
Usually I don't think much in terms of interesting sounds. Although I think I want to get one of those whammy pedals, I forget what it's called and who makes it. It's got a whole bunch of different settings. You can play a note and it will raise the pitch when you push the pedal.
You okay? (Grace) Oh, yeah. I’m just fine considering the fact I’ve walked through burning fires that hurt less than my groin does right now. (Julian) I said I was sorry. Okay, can you reach the pedals? (Grace) I’d like to reach your pedals…(Julian) Julian! Would you concentrate? (Grace) All right. I’m concentrating. (Julian) I don’t mean on my breasts. (He dropped his hungry gaze to her lap.) Or there, either. (Grace)
I can't jump in a car and drive it like most able-bodied people as we have to make pedals fit me and how my legs work.
Playing upside down is insane. It's two or three times more difficult than what's normal. Your feet want to come off the pedals, your arms want to drop down - all of your body is fighting gravity.
It's not like you're being fake, it's just the way you color it, like a guitar player uses pedals or different effects. That's why I get so mad about people who are down on vocal reverb. It's not a crutch, people, it's an aesthetic choice!
As far as pedals are concerned, the test for me is if I step on it, do I seem to be playing better?
If God had meant for us to walk, why did he give us feet that fit car pedals?
Of course drums weren't meant to be played other than sitting on the ground. When you're upside-down, your feet don't want to sit on the pedals.
Working with devices and guitar pedals and mixers and synthesizers is what I do, and I prefer people not focus on that because it's kind of distracting from what the point should be. At least for me, it's to have the primacy of aurality in the experience of that evening.
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