A Quote by Victor Borge

Mendelssohn never wrote any Water Music. However, he wrote the Scotch Symphony, which is even better, or at least stronger. — © Victor Borge
Mendelssohn never wrote any Water Music. However, he wrote the Scotch Symphony, which is even better, or at least stronger.
Mozart, striving for perfection, wrote the same symphony forty-one times. In his case, it worked. He wrote a perfect symphony.
I have been told that a young would-be composer wrote to Mozart asking advice about how to compose a symphony. Mozart responded that a symphony was a complex and demanding form and it would be better to start with something simpler. The young man protested, 'But, Herr Mozart, you wrote symphonies when you were younger than I am now.' Mozart replied, 'I never asked how.
In the immediate aftermath of the separation I just wrote and wrote and wrote. And wrote and wrote and wrote. Thank God I had that as an outlet.
I used to come home at night full of inspiration, and sit up with a bottle of Scotch. As I wrote, the words seemed wonderful, just too wonderful to be coming from me. Next morning I always found they were terrible and I could never use anything I wrote.
For 30 years I wrote for newspapers and magazines, wrote books on the Dallas Cowboys' dynasties of the '70s and '90s, wrote about Michael Jordan in Chicago and Barry Bonds in the Bay Area, even wrote columns for ESPN.com from 2004 to 2006.
Within Klaxons, I never wrote the lyrics. I always wrote the melody and music with the other guys.
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
You know how we make a Scotch and water in this home?" "No, sir," Gus said. "We pour Scotch into a glass and then call to mind thoughts of water, and then we mix the actual Scotch with the abstracted idea of water.
I wrote for magazines. I wrote adventure stuff, I wrote for the 'National Enquirer,' I wrote advertising copy for cemeteries.
I did take composition lessons when I was in high school, so I wrote piano pieces. I wrote some chamber music. I don't think any of that was particularly interesting.
When I wrote 'Savage Season,' it was three years later before I wrote the second Hap and Leonard novel. Whenever I wrote one, I never intended to write the next one.
I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.
I wrote 'Yellow Submarine' for the Beatles. I wrote the screenplay for 'The Games,' about the Olympic Games. I wrote 'Love Story,' both the novel and the screenplay. I wrote 'RPM' for Stanley Kramer. Plus, I wrote two scholarly books and a 400-page translation from the Latin, and I dated June Wilkinson!
I never wrote for children. I wrote with respect for the audience, which I've maintained all my life. Doesn't mean I couldn't be risque, but I did it smartly, without being vulgar.
I went out and started on my way up in television. I wrote music, I wrote books, I played an instrument half-ass. I would always have liked to play in a band. I would always have liked to be a substantial writer, to write country music for big singers. I had all sorts of proclivities, but I never had any big success.
'Reign' is probably the oldest one on the record. I wrote that when I was 19. 'The Dead They Don't Come Back,' which is the last song on the album, I wrote when I was 20, and 'Harlem River' I just wrote last year. It spans from 2007 to 2012.
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