A Quote by Victor Borge

The difference between a violin and a viola is that a viola burns longer. — © Victor Borge
The difference between a violin and a viola is that a viola burns longer.
The first time I mentioned publicly that I had known Viola for some time, many people took it like Viola got me the job in 'Fences'.
The Third Quartet I made the instruments in pairs - Two different pairs - Violin and viola, and violin and cello. They played very different things from each other all through the whole piece.
Viola? Keep calling for me– And I’ll keep searching for you– And I’ll find you– You bet yer life on it– I’ll find you– Keep calling for me, Viola– Cuz here I come.
Viola? Keep calling for me– And I’ll keep searching for you– And I’ll find you– You bet yer life on it– I’ll find you– Keep calling for me, Viola– Cuz here I come.
I remember once, when I started writing for the alto saxophone, a saxophonist told me to think of it as being like a cross between an oboe and a viola, but louder.
I saw 'The Help' on DVD. I was blown away by Viola Davis: she really straddled that fine line in the plot between what was tragic and what was heart-warming.
I love Viola Davis.
The best way would be education and kids and all that stuff and then education and working education comes through. Then I started a music school and the music school now teaches kids to play the violin and the viola.
I would absolutely love to do something with Viola Davis or Meryl Streep. I just think both of those women fall so deep into their characters that you are no longer looking at the actresses, you are looking at the characters they embraced.
I've been playing the viola since I was 6 years old, and then I decided to switch it up a bit, so I've been playing the violin since I was 11. I started playing the piano when I was 11, and I started playing the guitar when I was 10.
Bill Viola is worth ten Scorseses.
I'll find you- Keep calling for me, Viola- Cuz here I come.
I’ve often wished that I had some suave and socially acceptable hobby that I could fall back on in times like this. You know, play the violin (or was it the viola) like Sherlock Holmes, or maybe twiddle away on the pipe organ like the Disney version of Captain Nemo. But I don’t. I’m sort of the arcane equivalent of a classic computer geek. I do magic, in one form or another, and that’s pretty much it. I really need to get a life, one of these days
I always felt that, when I saw Denzel or Viola do scenes in their past films or past projects, that if it's a heavy scene, and it's requiring a lot of emotional weight, that we would have nothing but silence and incense burning in between takes just to keep things quiet.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
I think, especially with this show [How to Get Away with Murder], we have Viola Davis and Pete Nowalk as the showrunner.
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