A Quote by Victor Hugo
She was sad with an obscure sadness of which she had not the secret herself. There was in her whole person the stupor of a life ended but never commenced.
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She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves… They belonged to her her and were her own, and she entertained the conviction that she had a right to them and they they concerned no one but herself.
[Keeping kosher was] the symbol of an initiation, like the insignia of a secret brotherhood, that set her apart and gave her freedom and dignity. Every law whose yoke she accepted willingly seemed to add to her freedom: she herself had chosen . . . To enter that brotherhood. Her Judaism was no longer a stigma, a meaningless accident of birth from which she could escape . . . It had become a distinction, the essence of her self-hood, what she was, what she wanted to be, not merely what she happened to be.
Though at this moment she felt abused, abandoned, and ashamed of herself, Madeleine knew that she was still young, that she had her whole life ahead of her--a life in which, if she persevered, she might do something special--and that part of persevering meant getting past moments just like this one, when people made you feel small, unlovable, and took away your confidence.
Yet there were times when he did love her with all the kindness she demanded, and how was she to know what were those times? Alone she raged against his cheerfulness and put herself at the mercy of her own love and longed to be free of it because it made her less than he and dependent on him. But how could she be free of chains she had put upon herself? Her soul was all tempest. The dreams she had once had of her life were dead. She was in prison in the house. And yet who was her jailer except herself?
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
I found her lying on her stomach, her hind legs stretched out straight, and her front feet folded back under her chest. She had laid her head on his grave. I saw the trail where she had dragged herself through the leaves. The way she lay there, I thought she was alive. I called her name. She made no movement. With the last ounce of strength in her body, she had dragged herself to the grave of Old Dan.
There was a warmth of fury in his last phrases. He meant she loved him more than he her. Perhaps he could not love her. Perhaps she had not in herself that which he wanted. It was the deepest motive of her soul, this self-mistrust. It was so deep she dared neither realise nor acknowledge. Perhaps she was deficient. Like an infinitely subtle shame, it kept her always back. If it were so, she would do without him. She would never let herself want him. She would merely see.
There's little of the melancholy element in her, my lord: she is never sad but when she sleeps; and not ever sad then; for I have heard my daughter say, she hath often dreamt of unhappiness, and waked herself with laughing.
She had witnessed the world's most beautiful things, and allowed herself to grow old and unlovely. She had felt the heat of a leviathan's roar, and the warmth within a cat's paw. She had conversed with the wind and had wiped soldier's tears. She had made people see, she'd seen herself in the sea. Butterflies had landed on her wrists, she had planted trees. She had loved, and let love go. So she smiled.
This was something she would keep hidden within herself, maybe in place of the knot of pain and anger she had been carrying under her breastbone...a security blanket, an ace up her sleeve. She might never use it, but she would always feel its presence like a swelling secret stone, and that way when she let go of the rage, she would not feel nearly as empty.
I love the way she projects two facets: a visible persona and a subterranean one. She keeps her thoughts to herself; she seems to suggest that her secret, inner life is at least as significant as the appearance she gives.
She imagined herself both queen and slave, dominatrix and victim. In her imagination she was making love with men of all skin colors--white, black, yellow--with homosexuals and beggars. She was anyone's, and anyone could do anything to her. She had one, two, three orgasms, one after another. She imagined everything she had never imagined before, and she gave herself to all that was most base and most pure.
Charity never lacks what is her own, all that she needs for her own security. Not alone does she have it, she abounds with it. She wants this abundance for herself that she may share it with all; and she reserves enough for herself so that she disappoints nobody. For charity is perfect only when full.
She let out a laugh, and then she put her hand over her mouth, like she was angry at herself for forgetting her sadness.
It seemed to Alabama that, reaching her goal, she would drive the devils that had driven her - that, in proving herself, she would achieve that peace which she imagined went only in surety of one’s self - that she would be able, through the medium of the dance, to command her emotions, to summon love or pity or happiness at will, having provided a channel through which they might flow. She drove herself mercilessly, and the summer dragged on.
On some such night as this she remembered promising to herself to live as brave and noble a life as any heroine she ever read or heard of in romance, a life sans peur et sans reproche; it had seemed to her then that she had only to will, and such a life would be accomplished. And now she had learnt that not only to will, but also to pray, was a necessary condition in the truly heroic. Trusting to herself, she had fallen.
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