A Quote by Victor Hugo

Often when we think we are knotting one thread, we are tying quite another. — © Victor Hugo
Often when we think we are knotting one thread, we are tying quite another.
Chance. It weaves through our lives like a golden thread, sometimes knotting, tangling, and breaking along the way. Loose threads are left hanging, but the in and out, the back and forth continues, the weaving goes on. It doesn't stop.
Great blunders are often made, like large ropes, of a multitude of fibers. Take the cable thread by thread, take separately all the little determining motives, you break them one after another, and you say: that is all! Wind them and twist them together, they become an enormity.
Ambition means tying your well-being to what other people say or do. Self-indulgence means tying it to the things that happen to you. Sanity means tying it to your own actions.
Destiny itself is like a wonderful wide tapestry in which every thread is guided by an unspeakable tender hand, placed beside another thread and held and carried by a hundred others.
Here's Hillary Clinton getting away with tying the Republicans to rich people. She's tying the Republican Party to Wall Street, to the big banks. She's tying the Republican Party to the financial crisis in 2008. It's all their fault. She's tying herself as with the low-income crowd - and the average, ordinary middle class American - as their champion, as their defender. They don't know that it's not the Republicans in bed with banks. They don't know that it's the banks that are practically paying for and underwriting the Democrat Party and Hillary Clinton today.
How shall I a habit break? As you did that habit make, As you gathered, you must lose; As you yielded, now refuse, Thread by thread the strands we twist Till they bind us neck and wrist, Thread by thread the patient hand Must untwine ere free we stan
There must be a thread in everything I choose to take on, and I can't say it's a calculated thread, but I think you end up doing the work that's resonating with you.
Among the millions of nerve cells that clothe parts of the brain there runs a thread. It is the thread of time, the thread that has run through each succeeding wakeful hour of the individual.
No experience has been too unimportant, and the smallest event unfolds like a fate, and fate itself is like a wonderful, wide fabric in which every thread is guided by an infinitely tender hand and laid alongside another thread and is held and supported by a hundred others
I've done that quite often, but I've got to be quite honest... as much as you would want to only do one at a time, sometimes projects overlap and there's nothing you can do. Sometimes you to have begin writing a new project just as you're finishing off another.
Often you find actors have big hearts; they're quite emotional people. Talking to actors who date other actors, and talking to people who deal with other actors, they often get emotionally caught up in lots of different things. They often wear their hearts on their sleeves. They feel things quite a lot - often to the nth degree, which I can imagine could make it quite difficult to date some of us. I think it's about having an emotional availability that you can kind of draw on. But I'm also searching for that. I'll be searching for the answer to that question for the rest of my life.
If you put a much older woman in 'Doctor Who,' they can identify with it. I think it's quite an interesting concept, and if you remember things like 'Grimm's Fairytales,' the older woman is often the villainess, often the terrifying figure - why I do not know, but often she is. I think it's an idea to be exploited.
Quite often governments are one way and the people are another.
Normally, things are viewed in these little segmented boxes. There's classical, and then there's jazz; romantic, and then there's baroque. I find that very dissatisfying. I was trying to find the thread that connects one type of music - one type of musician - to another, and to follow that thread in some kind of natural, evolutionary way.
I think often in film we limit our imaginations a little - well, quite a lot, actually... things get quite formulaic.
I think often in film we limit our imaginations a little - well, quite a lot, actually things get quite formulaic.
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