A Quote by Victor Hugo
These Greek capitals, black with age, and quite deeply graven in the stone, with I know not what signs peculiar to Gothic calligraphy imprinted upon their forms and upon their attitudes, as though with the purpose of revealing that it had been a hand of the Middle Ages which had inscribed them there, and especially the fatal and melancholy meaning contained in them, struck the author deeply.
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The signs that presage growth, so similar, it seems to me, to those in early adolescence: discontent, restlessness, doubt, despair, longing, are interpreted falsely as signs of decay. In youth one does not as often misinterpret the signs; one accepts them, quite rightly, as growing pains. One takes them seriously, listens to them, follows where they lead. ... But in the middle age, because of the false assumption that it is a period of decline, one interprets these life-signs, paradoxically, as signs of approaching death.
I had fallen in love. What I mean is: I had begun to recognize, to isolate the signs of one of those from the others, in fact I waited for these signs I had begun to recognize, I sought them, responded to those signs I awaited with other signs I made myself, or rather it was I who aroused them, these signs from her, which I answered with other signs of my own . . .
Yet for my part, deeply as I am moved by the religious architecture of the Middle Ages, I cannot honestly say that I ever felt the slightest emotion in any modern Gothic church.
I interviewed Matt [Stone] and Trey [Parker], actually, and I got to ask them questions. I love them deeply because they appeared dressed as J-Lo and someone else [who had worn the same scandalous dresses the year before at the Oscars]. They confessed they were on acid.
A child who had been introduced to misery in Saudi Arabia, a teenager who went to wage jihad against the Soviets in Afghanistan, a deeply devout Muslim who had graduated with honors in medicine, a man who had fed a stranger to wild dogs in Damascus, a zealot who had dosed three foreigners with smallpox and watched them die in agony, gave thanks to Allah for the blessings that had been bestowed upon him.
I knew where the magnets were, behind the gyprock, and the magnets were very powerful. I think they had to be powerful for me, otherwise the reader wouldn't have a reciprocal experience. But I was very careful to bury them deeply, deeply in the plaster and paint over them. I didn't want anybody to directly access them, and that's gradually changed for me.
From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films.
I discovered that some things are written for us. It's not that we can't change our ancestral bearings, or that the path or purpose of any of our lives is really written in stone. But what tends to happen sometimes is the path is so deeply inscribed in the birth that it becomes you and every variation away from it brings you back in ways that you are not controlling.
There are circumstances of peculiar difficulty and danger, where a mediocrity of talent is the most fatal quantum that a man can possibly possess. Had Charles the First and Louis the Sixteenth been more wise or more weak, more firm or more yielding, in either case they had both of them saved their heads.
Had middle class black women begun a movement in which they had labeled themselves "oppressed," no one would have taken them seriously.
If I had known there was such a thing as Islamic Calligraphy, I would never have started to paint. I have strived to reach the highest levels of artistic mastery, but I found that Islamic Calligraphy was there ages before I was.
Both Moscow and [Kiev], the modern and the ancient capitals, were reduced to ashes [by the Tartars]; a temporary ruin, less fatal than the deep, and perhaps indelible, mark, which a servitude of two hundred years has imprinted on the character of the Russians.
The more I studied the Bible, however, I had to admit that the prosperity message did not line up with the tenor of Scripture. My heart was crushd to think that I led so many people astray. I was appalled that I could have been so wrong, and I was deeply grateful that God had not struck me dead as a false prophet.
For a billion years the patient earth amassed documents and inscribed them with signs and pictures which lay unnoticed and unused. Today, at last, they are waking up, because man has come to rouse them. Stones have begun to speak, because an ear is there to hear them. Layers become history and, released from the enchanted sleep of eternity, life's motley, never-ending dance rises out of the black depths of the past into the light of the present.
Everything had kept getting less, they'd had to leave behind more and more baggage, or else it was taken from them, as though they were now too weak to carry all those things that are part of life, as though someone were trying to force them into old age by relieving them of all this.
Music saved my life. The voice you hear, the soul, the pain, is that of a person who deeply, deeply, deeply appreciates the opportunity they've been given.
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