A Quote by Victor Hugo

Marius was of the temperament that sinks into grief and remains there; Cosette was of the sort that plunges in and comes out again. — © Victor Hugo
Marius was of the temperament that sinks into grief and remains there; Cosette was of the sort that plunges in and comes out again.
At that moment of love, a moment when passion is absolutely silent under omnipotence of ecstasy, Marius, pure seraphic Marius, would have been more capable of visiting a woman of the streets than of raising Cosette’s dress above the ankle. Once on a moonlit night, Cosette stopped to pick up something from the ground, her dress loosened and revealed the swelling of her breasts. Marius averted his eyes.
Marius and Cosette did not ask where this would lead them. They looked at themselves as arrived. It is a strange pretension for men to ask that love should lead them somewhere.
Promise to give me a kiss on my brow when I am dead. --I shall feel it." She dropped her head again on Marius' knees, and her eyelids closed. He thought the poor soul had departed. Eponine remained motionless. All at once, at the very moment when Marius fancied her asleep forever, she slowly opened her eyes in which appeared the sombre profundity of death, and said to him in a tone whose sweetness seemed already to proceed from another world:-- "And by the way, Monsieur Marius, I believe that I was a little bit in love with you.
Marius and Cosette were in the dark in regard to each other. They did not speak, they did not bow, they were not acquainted; they saw each other; and, like the stars in the sky separated by millions of leagues, they lived by gazing upon each other.
I was in New York City on 9/11. Grief remains from that awful day, but not only grief. There is fear, too, a fear informed by the knowledge that whatever my worst nightmare is, there is someone out there embittered enough to carry it out.
I think what I was unconsciously expressing in 'Black Rainbow' was a very abstract and metaphorical grief, in the way I had suppressed my grief about my mother dying. In retrospect I realise I started writing 'Mandy' as a sort of antidote to that, to sort of express those emotions, to purge that grief.
Slowly he took out the clothes in which, ten years beforem Cosette had left Montfermeil; first the little dress, then the black scarf, then the great heavy child's shoes Cosette could still almost have worn, so small was her foot, then the vest of very thich fustian, then the knitted petticoat, the the apron with pockets, then the wool stockings.... Then his venerable white head fell on the bed, this old stoical heart broke, his face was swallowed up, so to speak, in Cosette's clothes, and anybody who had passed along the staircase at that moment would have heard irrepressible sobbing.
I have lived lies. I have done it again and again. I live lies because I cannot endure the weakness of anger, and I cannot admit the irrationality of love.-Marius
Ultimately ideas come out of a temperament or a sensibility, they are a crystallization or a precipitation of temperament.
I have one of the great temperaments. I have a winning temperament. Hillary Clinton has a bad temperament. She's weak. We need a strong temperament.
He was at his own request and through his own complicity driven out of all his happinesses one after the other; and he had this sorrow, that after having lost Cosette wholly in one day, he was afterwards obliged to lose her again in detail.
THESE are the desolate, dark weeks when nature in its barrenness equals the stupidity of man. The year plunges into night and the heart plunges lower than night.
I auditioned for the part of Cosette in 'Les Miserables' on Broadway. It didn't work out.
Satan rejoiced when Adam (peace be upon him) came out of Paradise, but he did not know that when a diver sinks into the sea, he collects pearls and then rises again.
Let us pick up again these lost strands and weave them again into the fabric of America, sort out the music from the sounds and again respond to the trumpet and the steady drum.
From the glow of enthusiasm I let the melody escape. I pursue it. Breathless I catch up with it. It flies again, it disappears, it plunges into a chaos of diverse emotions. I catch it again, I seize it, I embrace it with delight... I multiply it by modulations, and at last I triumph in the first theme. There is the whole symphony.
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