A Quote by Victor Hugo

The ode lives upon the ideal, the epic upon the grandiose, the drama upon the real. — © Victor Hugo
The ode lives upon the ideal, the epic upon the grandiose, the drama upon the real.
The drama is complete poetry. The ode and the epic contain it only in germ; it contains both of them in a state of high development, and epitomizes both.
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
I was attacked the other night for being grandiose. I would just want you to note: Lincoln standing at Council Bluffs was grandiose. The Wright Brothers standing at Kitty Hawk were grandiose. John F. Kennedy was grandiose. I accept the charge that I am grandiose and that Americans are instinctively grandiose.
Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth.
The real story of Netflix is complicated: an epic tale full of struggle, disappointment, drama, humor, and achievement.
I feel like Shakespeare is so epic, in a way that sci-fi genre stuff is epic, it transcends the mundane, and it takes you to this place of real passion and real beauty.
I'm all about real drama, real performance, and real people, so my twist on this is: I'm creating a family, a brotherhood here. I'm creating a very real chemistry and I have this incredible ensemble of actors led by Will Smith, who are basically playing dimensional characters with lives and souls.
The human soul has still greater need of the ideal than of the real. It is by the real that we exist; it is by the ideal that we live.
There's not a lot of room anymore for what I call 'made-up' drama. The drama comes from real places now - marriage takes work and focus, the kid stuff takes patience and commitment. And if you don't grow as people and as a couple, within all of that, then you've got some real drama.
Longing for the ideal while criticizing the real is evidence of immaturity. On the other hand, settling for the real without striving for the ideal is complacency. Maturity is living with the tension.
I guess I don't have a grandiose view of the world in general, and I never believe it when someone else has a grandiose moment.
I am grandiose because I live a grandiose life; what’s wrong with that?
You just find the best actors that you can. There's an inherent drama within the framework of scares and killings and all that. In 'Scream,' there is very real drama that would be in almost any drama.
If the shot is going to be epic, if it's going to be awesome, and to make it epic and awesome you have to hit the ground and possibly hurt yourself, I choose to hit the ground and possibly hurt myself. Because in my silly stunt man mind, an epic shot that lives forever on film, I'll get over it in a couple of months!
No poet is required to write in stanzas, or indeed in regular forms at all. Coleridge's 'Dejection: An Ode' has a rhyme scheme and sequence of long and short lines that goes without regular pattern, following the mood and whim of the poet. Such a form is known as an irregular ode.
Love is an ideal thing, marriage a real thing; a confusion of the real with the ideal never goes unpunished.
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