A Quote by Victor Hugo
As a means of contrast with the sublime, the grotesque is, in our view, the richest source that nature can offer.
Related Quotes
What interests me in [Lincoln in the Bardo] is a slight perverse balance between the sublime and the grotesque. Like you could have landed only on the sublime. But my argument is that the sublime couldn't exist without this other half.
Sublime upon sublime scarcely presents a contrast, and we need a little rest from everything, even the beautiful.
Magnificence is likewise a source of the sublime. A great profusion of things which are splendid or valuable in themselves is magnificent. The starry heaven, though it occurs so very frequently to our view, never fails to excite an idea of grandeur.
To offer our hearts in faith means recognizing that our hearts are worth something, that we ourselves, in our deepest and truest nature, are of value.
I doubt if the texture of Southern life is any more grotesque than that of the rest of the nation, but it does seem evident that the Southern writer is particularly adept at recognizing the grotesque; and to recognize the grotesque, you have to have some notion of what is not grotesque and why.
Our view of nature will influence the way we treat nature, and our view of human nature will affect our understanding of human responsibility.
For example, you have these grotesque, hilarious, profane ghosts in the book [Lincoln in the Bardo]. Even the concept of talking ghosts is, from an aesthetic point of view, grotesque. But you seem compelled by that risk in order to get to the other end of the equation.
Our country is the richest in the history of the world. We should be working to expand and improve successful programs like Medicare, and offer more to our citizens.
On the one hand, our social nature is our greatest beauty - it means that we have natural empathy and sympathy. But our social nature also means that we may let ourselves be controlled by the judgments of others, precisely because we care so much about our status in community.
Once we have taken the backward step to an abstract view of our whole system of beliefs, evidence, and justification, and seen that it works only, despite its pretensions, by taking the world largely for granted, we are not in a position to contrast all these appearances with an alternative reality. We cannot shed our ordinary responses, and if we could it would leave us with no means of conceiving a reality of any kind.
A sublime religion inevitably generates a strong feeling of guilt. There is an unavoidable contrast between loftiness of profession and imperfection of practice. And, as one would expect, the feeling of guilt promotes hate and brazenness. Thus it seems that the more sublime the faith the more virulent the hatred it breeds.
Something in me was changed by Lincoln in the Bardo, and the great sublime/grotesque risk of [George Saunders'] ghosts was a part of it.
In my heart I believe that biology is the beginning and the end of everything. It's the biggest source of ideas, the biggest source of invention. Nobody can invent better than nature and so if you like nature is my biggest source of inspiration.
I don't think I'm as educated as Whoopi, so I'm lifting myself to her level. But you know, our view of the world, our view of what we can do, our sense of what it means to be here, are similar.
By changing our inner state of mind, we can change any suffering or hardship into a source of joy, regarding it as a means for forging and developing our lives. To turn even sorrow into a source of creativity - this is the way of life of a Buddhist
If the purpose of literature is to illuminate human nature, the purpose of fantastic literature is to do that from a wider perspective. You can say different things about what it means to be human if you can contrast that to what it means to be a robot, or an alien, or an elf.
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