A Quote by Victor Hugo

The flesh is the surface of the unknown. — © Victor Hugo
The flesh is the surface of the unknown.
The flesh is the upper surface of the unknown.
In a photograph, if I am able to evoke not alone a feeling of the reality of the surface physical world but also a feeling of the reality of existence that lies mysteriously and invisibly beneath its surface, I feel I have succeeded. At their best, photographs as symbols not only serve to help illuminate some of the darkness of the unknown, they also serve to lessen the fears that too often accompany the journeys from the known to the unknown.
It's fear of the unknown. The unknown is what it is. And to be frightened of it is what sends everybody scurrying around chasing dreams, illusions, wars, peace, love, hate, all that-it's all illusion. Unknown is what it is. Accept that it's unknown and it's plain sailing. Everything is unknown-then you're ahead of the game. That's what it is. Right?
You can't get at the thing itself, the real nature of the sitter, by stripping away the surface. You can only get beyond the surface by working with the surface. All that you can do is manipulate that surface - gesture, costume, expression - radically and correctly.
Do not be impatient for impatience is of the flesh. Do not try different methods because they are useful solely in helping the flesh. We must distrust the flesh entirely.
I don't understand why people take Beyonce so seriously. You don't feel like there's a living, breathing person. It's not flesh and blood. It's just flesh and flesh.
You alone became the outer surface of my life, the side I never see, and you will be that, the unknown part of me, until I die.
There seems no limit to research, for as been truly said, the more the sphere of knowledge grows, the larger becomes the surface of contact with the unknown.
People don't understand that the feel of the surface is so important for a footballer. The ball travels on the surface; our feet move on the surface - all of that goes into how the game is actually played.
I mean the flesh, never fade! The flesh never leave the creation, see, because with that divine spirit the flesh cannot fade. If the spirit is weak then the flesh fade, seen?
The unknown winner of an unknown city, located in an unknown country, is Man.
Several large, artificial constructions are approaching us, ZORAC announced after a short pause. The designs are not familiar, but they are obviously the products of intelligence. Implications: we have been intercepted deliberately by a means unknown, for a purpose unknown, and transferred to a place unknown by a form of intelligence unknown. Apart from the unknowns, everything is obvious.
Nothing is more democratic, less judgmental, than water. Water doesn't care whether flesh is withered or fresh; it caresses aged flesh and firm flesh with equal love.
I would like to start by emphasizing the importance of surfaces. It is at a surface where many of our most interesting and useful phenomena occur. We live for example on the surface of a planet. It is at a surface where the catalysis of chemical reactions occur. It is essentially at a surface of a plant that sunlight is converted to a sugar. In electronics, most if not all active circuit elements involve non-equilibrium phenomena occurring at surfaces. Much of biology is concerned with reactions at a surface.
Men and women yearners must realize their unity even while in the flesh; not by communion of the flesh, but by the Will to Freedom from the flesh and all the impediments it places in their way to perfect Unity and Holy Understanding
Ah, what balance is needed at the edges of such an abyss. I am left alone on the surface of a turning planet. What to do but, like Michelangelo's Adam, put my hand out into unknown space, hoping for the reciprocating touch?
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